One of America’s greatest and fearless investigative journalists, Amy Goodman, seeks the truth and reports it. Religion Unplugged sat down with her to discuss how her Jewish upbringing and its influences on her career and reporting.
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When the North American FIFA World Cup starts Thursday, the story will largely be told through the familiar lenses of Lionel Messi, the geography of the 48 participants and three hosts, and — because 75% of the games will be played there — the continuing rise of soccer in the United States. But there is another, less familiar story woven through the tournament: The long, strange and often overlooked history of Jews in North American soccer.
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In the heart of Budapest lies a theater unlike any other. Founded 20 years ago, Gólem Theater stands as the only professional Jewish theater in Hungary. By blending humor with questions of identity, the theater seeks to engage audiences with a different side of Jewish culture.
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(REVIEW) Sid Klein has finally found his subject. More than half a century after he scrambled to pick a topic for his senior art project at Brooklyn College in New York — and settled on exploring the porcelain curves of a toilet bowl in a 20-painting series — he’s discovered a purpose.
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After yet another deadly attack, the focus turns — once again — to protecting houses of worship. The shooting at a San Diego mosque hit close to home for a Jewish engineer more than 1,300 miles away.
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(ANALYSIS) History shows that at every moment of profound technological change in our communication systems, incidents targeting Jews or other minority groups go up dramatically. This era’s technical innovation is unprecedented — but unfortunately, hate speech now travels around the globe almost instantly.
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With the reigning champion Oklahoma City Thunder fighting to return to the NBA Finals, one bold writer dug deep for an analogy: The Thunder, he wrote, is like the state of Israel — a former underdog now despised for its success. The Oklahoman, a daily newspaper, published the opinion column on its website Monday morning, hours before the Thunder began their semifinal series against the San Antonio Spurs. The story was accompanied by an image of a basketball with the Israeli flag on it.
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Thirty years ago, a woman was found dead by the side of the road in Arizona. Today, her body has still not been identified. To find out the strange reason why, I spoke to Hannah Feuer, a reporter at Forward.
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The Liberty Bell symbolizes American freedom, rooted in Scripture and shaped by Pennsylvania’s Quaker ideals. Its inscription from Leviticus reflects Jewish teachings on justice and freedom, while Quaker beliefs in equality and tolerance influenced the nation’s founding principles, leaving a lasting moral framework as the U.S. marks its 250th anniversary.
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(ANALYSIS) As the United States approaches its 250th birthday this summer, the fight over “Rededicate 250” underscores a deeper question about the future of American democracy: Can a nation that is religiously diverse maintain a shared civic identity without elevating one tradition — in this case Christianity — above all others?
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The Israeli thriller “Unconditional” has sparked accusations of “hasbara” before release, but the series proves more complicated than simple propaganda. Following a young Israeli woman imprisoned in Russia, the show explores national image-making, Israeli behavior abroad, and the moral gray zones surrounding identity, war, and public perception.
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(ANALYSIS) The general admonition is the same in many faith communities: Try to marry someone who shares your faith background. That’s certainly a well-established norm in Jewish communities.
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As New York City Mayor Zohran Mamdani marks four months in office, a new survey of New York City’s Jewish voters shows he’s done little to ease concerns among a community that overwhelmingly did not support his election and remains uneasy about his handling of antisemitism and Israel.
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Adam Miller, a Los Angeles mayoral candidate and former tech executive, is beginning to highlight his Jewish identity after initially downplaying it. He frames his background and leadership at Ikar as key qualifications, while criticizing city leadership on antisemitism, positioning himself as a moderate alternative in a competitive race.
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A yarmulke-wearing basketball prospect who gained online fans with highlight-reel dunks announced his next major leap this week: He’ll try to be the first Orthodox player to play four years of Division I men’s college basketball.
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(ESSAY) In the Bay Area, a backyard feast is held to celebrate the end of Passover. The main event of Mimouna is the homemade treats. White tablecloths are meticulously arranged with pink and green marzipan cookies representing spring, dried fruits and muffleta, a silken, thin crepe doused in honey and butter.
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(ANALYSIS) The manosphere is a catchall term for websites, forums, blogs and influencers promoting hypermasculinity, from the belief that women and feminism are the cause of men’s problems to calls to legalize rape. Groups within it — including pickup artists, men’s rights groups and “involuntary celibate” or “incel” communities — portray themselves as victims of modernity.
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The meeting is being held during an election cycle in which rejecting AIPAC support has become a defining issue in Democratic races. It also comes amid concerns from some Jewish Democrats — including ones critical of AIPAC — that the group’s emergence as a bogeyman in American politics is inappropriate or even antisemitic.
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(ESSAY) When Passover arrives each spring, Jewish families around the world gather at their tables to retell a story passed down for thousands of years. At ritual dinners known as Seders, they recount the Exodus, the biblical story of the Israelites’ liberation from slavery in Egypt — asking questions, singing songs and explaining the meaning behind symbolic foods like matzo.
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(REVIEW) “The House of David” Season Two improves on its strengths while refining its flaws, delivering a compelling biblical epic about power, faith and leadership. Despite some uneven pacing and character development, it offers a timely, countercultural vision of heroism grounded in moral responsibility.
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