(REVIEW) While “The Passion of the Christ” in 2004 demonstrated Hollywood’s interest in the Christian moviegoing market, the Kendrick Brothers established what faith-based cinema would look like: Low-budget inspirational dramas about middle-class Christian families navigating life’s challenges. More than two decades later, the brothers have remade their original film.
Read More(REVIEW) The film tackles religious corruption and persecution with provocative imagery and genuine spiritual conviction, but its clashing tones, underdeveloped character arcs, excessive sexualized spectacle and misogynistic portrayals undermine its message. Rather than transcending its obscenity, this movie mistakes shock value for meaningful artistic depth.
Read MoreThis week, Religion Unplugged’s culture writers Joseph Holmes and Jillian Cheney sat down before Halloween to explore how Gen Z thinking is changing the horror genre.
Read More(REVIEW) “Brotherhood” is a new film that seems to agree with the second viewpoint. It’s a Christian musical focused on the American immigration debate. Its constant sermonizing in nearly every line of dialogue and song lyric is a good reminder that preachiness undermines good filmmaking, regardless of the message.
Read More(REVIEW) “Fjord” explores the tensions between religious freedom and secular society through the story of a Romanian Christian family facing accusations of child abuse in Norway. With nuanced storytelling and stark cinematography, the film challenges viewers on tolerance, cultural conflict and competing moral values without offering easy answers or choosing sides outright.
Read More(REVIEW) What makes “Your Mother Your Mother Your Mother” so impressive is that it combines so many things that are hard to find in faith-focused movies. Hollywood films have long struggled to make movies about faith that resonate with the experiences of actually religious people. Religious people have historically struggled to make faith movies that aren’t preachy.
Read More(REVIEW) Happily, Christians have been making strides in making movies that aren’t just true, but beautiful. Shows like “The Chosen” and “House of David,” and movies like “Last Rodeo” and “I Can Only Imagine 2” are great examples. “Daniel and the Fiery Furnace” is a good example of why it’s taken so long, and what continues to hold it back.
Read More(REVIEW) “Widow’s Bay” presents a world in which both modern Western rationalism and Christianity are helpless to defeat the haunted island’s monsters. Characters have to choose between siding with the demons or becoming victims.
Read More(REVIEW) When a wild night ends in handcuffs and a campus police escort, two best friends (named Grayson and Tyler are slapped with 120 hours of community service due in two weeks — or they’re expelled. Their genius plan? Pose as counselors at a local Christian youth camp.
Read More(REVIEW) “Elijah Peel” follows a world-famous rock musician whose life of success and addiction comes crashing down after suffering a life-threatening heart attack. But the film still wears the inspirational Christian movie formula like a straitjacket, instead of using it as a sturdy foundation.
Read MoreAfter 11 seasons, PBS’s “Masterpiece Mystery!” series “Grantchester” has come to an end. For more than a decade, viewers returned to the quiet village of Cambridgeshire to watch an unlikely crime-solving duo: Anglican vicars and Det. Inspector George “Geordie” Keating.
Read More(REVIEW) There’s something about priests solving murders in small towns that people love. A long-running series in this genre that’s just ended is “Grantchester.” The series follows young, good-looking vicars in the fictional sleepy British town who partner with a local lawman to solve murder cases.
Read More(REVIEW) The faith-based film industry is shifting from family-friendly dramas toward male-focused, patriotic stories for conservative Christian audiences. “Young Washington” reflects that evolution with strong action, but ultimately weakens its emotional impact by oversimplifying George Washington’s ambition and spiritual transformation, limiting its cultural and thematic potential.
Read More(ANALYSIS) In honor of America’s 250th anniversary, faith-based filmmakers have pushed out multiple patriotic and history-themed films. This summer has seen a mix of historical dramas, war epics and documentaries — all of which are widely available for Christians (and non-Christians) to watch this Fourth of July weekend.
Read More(REVIEW) To understand post-Christian Western culture, watch “Hazbin Hotel.” As America continues to secularize and divide along religious and political lines, our culture is rewriting how we think about human nature and redemption. With its second season, the series encapsulates our evolving post-Christian imagination — and the ways we’re worse off for it.
Read More(REVIEW) “Just One More” has its heart in the right place. But it is held back by a preachy Christian filmmaking culture that leans on telling, not showing.
Read More(REVIEW) Steven Spielberg’s latest film “Disclosure Day” asks how people of faith would deal with finding out aliens are real. Sadly, one gets the distinct impression that Spielberg didn’t talk to any religious people when deciding his answer. Spielberg is responsible for some of the most iconic movies about aliens and faith ever made.
Read MoreTo understand what it’s like to be a Christian while approaching death, Culture Critic Joseph Holmes spoke with actor and writer Victoria Jackson. Jackson suffers from terminal breast cancer, and, with the knowledge that her life is going to end, she recently wrote “Not Dead Yet,” which tells the story of her life, her faith and how she is dealing with dying.
Read More(REVIEW) While the show’s theological justification is surprisingly in line with the pope’s new AI principles, the execution proves that — as always — the devil is in the details.
Read MoreA low-budget movie, cheesy horror that is literally just “The Exorcist” meets “Speed” and whose theology is as thin as a communion wafer. In theory, this can be an opportunity for an actually really fun campy horror experience. Unfortunately, it’s far more interested in stale religious deconstruction than it is in classic scares.
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