(REVIEW) The faith-based film industry is shifting from family-friendly dramas toward male-focused, patriotic stories for conservative Christian audiences. “Young Washington” reflects that evolution with strong action, but ultimately weakens its emotional impact by oversimplifying George Washington’s ambition and spiritual transformation, limiting its cultural and thematic potential.
Read More(ANALYSIS) In honor of America’s 250th anniversary, faith-based filmmakers have pushed out multiple patriotic and history-themed films. This summer has seen a mix of historical dramas, war epics and documentaries — all of which are widely available for Christians (and non-Christians) to watch this Fourth of July weekend.
Read More(REVIEW) To understand post-Christian Western culture, watch “Hazbin Hotel.” As America continues to secularize and divide along religious and political lines, our culture is rewriting how we think about human nature and redemption. With its second season, the series encapsulates our evolving post-Christian imagination — and the ways we’re worse off for it.
Read More(REVIEW) “Just One More” has its heart in the right place. But it is held back by a preachy Christian filmmaking culture that leans on telling, not showing.
Read More(REVIEW) Steven Spielberg’s latest film “Disclosure Day” asks how people of faith would deal with finding out aliens are real. Sadly, one gets the distinct impression that Spielberg didn’t talk to any religious people when deciding his answer. Spielberg is responsible for some of the most iconic movies about aliens and faith ever made.
Read MoreTo understand what it’s like to be a Christian while approaching death, Culture Critic Joseph Holmes spoke with actor and writer Victoria Jackson. Jackson suffers from terminal breast cancer, and, with the knowledge that her life is going to end, she recently wrote “Not Dead Yet,” which tells the story of her life, her faith and how she is dealing with dying.
Read More(REVIEW) While the show’s theological justification is surprisingly in line with the pope’s new AI principles, the execution proves that — as always — the devil is in the details.
Read MoreA low-budget movie, cheesy horror that is literally just “The Exorcist” meets “Speed” and whose theology is as thin as a communion wafer. In theory, this can be an opportunity for an actually really fun campy horror experience. Unfortunately, it’s far more interested in stale religious deconstruction than it is in classic scares.
Read More(REVIEW) “Is God Is” follows twin sisters on a quest to kill their father, who disfigured them as children. Unfortunately, the movie does more than simply offer fictional frontier-style justice to typically underrepresented audiences. It goes so far as to renounce the virtue of forgiveness altogether.
Read More(ANALYSIS) The way Hollywood portrays faith is changing because American culture is changing. The growing divide in these portrayals reflects the same growing divide in America. Next year may be when this clash gets its biggest arena — and we will all be watching, popcorn in hand.
Read More(REVIEW) A “Romeo and Juliet” style love story, “Cast Aside The Clouds” that protests how religious intolerance — such as the kind regularly levied against the Baháʼí people in Iran — threatens love by targeting innocent people for oppression.
Read More(REVIEW) Murdock is a real believing Catholic. It’s something the series takes seriously. This is particularly easy to see in the attention to detail toward Catholic teaching.
Read More(ANALYSIS) Gen Z is driving a renewed interest in in-person life — from bookstores to churches — as a response to digital isolation. But this revival is fragmented, fueled by online subcultures and personal choice. While community is returning, it’s splintered into niche groups, creating connection within silos rather than a shared cultural or social life.
Read More(ANALYSIS) The popularity of musical biopics across both Hollywood and faith-based industries reflects the deep connection between religion and music in the shaping modern culture. It also reveals two different frameworks for interpreting that influence. Ideally, audiences can engage both and think more deeply about what each suggests for their own lives.
Read More(REVIEW) The film is an example of how Hollywood uses Christian metaphysical assumptions when dealing with non-Christian faiths — all while denying Christianity and promoting these same pre-Christian religions. “Lee Cronin’s The Mummy” has nothing remotely to do with Egyptian mythology. But that doesn’t mean it has nothing to say about our modern relationship with faith.
Read More(REVIEW) “A Great Awakening” explores the friendship between Benjamin Franklin and George Whitefield, using their relationship to examine faith’s role in America’s founding. However, the film lacks the power and impact that it claims Whitfield had on his audiences.
Read More(REVIEW) What will the legendary filmmaker Martin Scorsese add to these depictions of Mary that we haven’t seen before? Frankly, not much.
Read More(REVIEW) “The House of David” Season Two improves on its strengths while refining its flaws, delivering a compelling biblical epic about power, faith and leadership. Despite some uneven pacing and character development, it offers a timely, countercultural vision of heroism grounded in moral responsibility.
Read MoreVery few superheroes wear their faith on their sleeves like Daredevil. But the Season 2 opener for Disney+ series “Daredevil: Born Again” has pulled back on those elements. If that reflects the rest of the season, it will be to the show’s detriment.
Read MoreWhen “The Faithful: Women of the Bible” trusts the Bible’s voice, it does a great job of giving voice to the women that it portrays. Unfortunately, far too often, the filmmakers shout their own voices too loud for you to hear the real women they claim to be elevating.
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