(REVIEW) “Brave the Dark” is easily the best movie the faith-based film industry has released about the struggles of young men. It’s by far the best Angel Studios movie to date. There’s a major gender shift happening in American Christianity. Church pews have largely been filled by women, even as the pulpits were dominated by men. Women are abandoning church and men are starting to flock to it.
Read More(REVIEW) “Between Borders” is a timely film that shows the resilience of refugee families, along with the greatness of Christianity and America. Sadly, mediocre storytelling saps it of its emotional power. One might have noticed that immigration is a hot topic in Christian circles these days. It should be no surprise then that faith-based films have increasingly turned to the topic of immigration.
Read More“Nosferatu” shares many of the strengths of the rest of Robert Eggers' work. The filmmaking craft on display is undeniable. The camera lingers on the screen away from showing all of Nosferatu almost as if the camera itself is scared of him. The production design completely transports you into the world of the 18th century. Nonetheless, this is a film that has issues.
Read More(ANALYSIS) The news cycle hasn’t been kind to “Lord of the Rings: War of the Rohirrim.” The film made headlines as the lowest-grossing (and worst-reviewed) entry in the Peter Jackson series. The film made $5 million on its opening weekend, finishing fifth at the box office and earning a 52% on Rotten Tomatoes. But none of it really matters because the point of this movie was never this movie. Let me explain.
Read More(ANALYSIS) Changes in the film industry, and the changing demographics of family life in America, mean we’re likely to see a more movies in the future that are focused on faith. You might say the future of Christmas films is very much faith-based. One of the most fascinating things is the collapse of the Christmas movie and the rise of the faith-based genre happened around the same time.
Read More(REVIEW) Netflix has put out a movie about the life of Mary just in time for Christmas. For those who want a modern retelling of Mary and the Christmas story that lives up to its potential, “Mary” is sure to disappoint. For those who simply want to enjoy a reverent take on the Christmas story that has a place at the table in a world of endless secular content, this might be just what the angels ordered.
Read More(ANALYSIS) The genre faces a demographic cliff. The market for faith-based films has always been driven by Christian moms. And as I wrote last year, with fewer women getting married and having kids (and single women increasingly leaving Christianity), that market is inevitably going to shrink. A big shift may actually save the long-term future of faith-based films: The rise of a more masculine American church.
Read More(ANALYSIS) Angel Studios can’t seem to catch a break from controversy. Its first big hit, the film “Sound of Freedom,” was heavily criticized by sex-trafficking survivors for its deceptive portrayal of the issue. They’ve also faced allegations of unsavory business practices and for partnering with a conservative media company for distribution.
Read More(REVIEW) “We Who Wrestle with God” is a solid compilation of Peterson’s views on the continuity between biblical testimony and the human condition. If he’d been more disciplined with his prose, the good in his work would have been more readable. And if he’d taken more seriously wrestling with the text itself, there would have been a lot more good to read.
Read More(REVIEW) “Martin Scorsese Presents: The Saints” is an eight-episode docudrama series following the lives and sacrifices of saints: Joan of Arc, Francis of Assisi, John the Baptist, Thomas Becket, Mary Magdalene, Moses the Black, Sebastian and Maximillian Kolbe. Each episode features a dramatization of their lives, narration by Scorsese and a panel.
Read More(REVIEW) Despite its flaws, “Agatha All Along” gives a refreshingly honest look at grief, relationships, the false promises of power and selfishness. In a world that churns out superhero movies with nothing to say, this is a welcome thing. In a world that tries to idealize the witch lifestyle, this show gives a far more accurate take than most forms of media have the guts to. The world of “Agatha” is one without hope in the face of death.
Read More(REVIEW) Hellboy is an odd character with a bumpy cinematic history. Based on a comic book series, Hellboy is the son of a demon and a witch who was brought from hell into the world by Nazis. He was rescued and raised by Professor Broom of the BPRD (Bureau for Paranormal Research and Defense) who became his surrogate father and trained to help save the world from monsters.
Read More(REVIEW) Forgiveness is widely considered one of the most difficult things to do in life — particularly when it comes to the relationship between parents and children. This is probably why so many films deal with the idea of reconciling with one’s parents. “Exhibiting Forgiveness” does a great job of honestly wrestling with the hardest questions around forgiveness.
Read More(REVIEW) Unlike exorcism movies, which have largely gone unchanged since the 1973 film ‘The Exorcist,” vampire films have gone through interesting cycles of evolution. While vampires originally were portrayed as evil, alien creatures, franchises such as “Twilight” and “The Vampire Diaries” showed them as hot antiheroes and even — at times — as wholesome and misunderstood.
Read MoreThe second season of “Rings of Power” is far from perfect. But the finale pays off its themes in surprisingly satisfying ways, making it far more faithful to J.R.R Tolkien than its most ardent detractors will admit. To say that “Rings of Power” is controversial would be an understatement. Since its premiere, the series has fallen afoul of the culture wars online.
Read More(ANALYSIS) Two recent events have made major headlines in the faith-based film industry. The first was the dominance of faith-based, politically right-wing films at the domestic box office. The second was Dallas Jenkins’ announcement that his “The Chosen” TV series about Jesus was expanding into a whole “The Chosen” universe of shows.
Read MoreMost religious mythologies reflect how various peoples experience the world. Mesopotamia had really bad weather and tribal warfare, so its people tended to portray the gods as deeply chaotic and unreliable. Meanwhile, their Egyptian neighbors had stable weather and an equally stable government. As a result, their gods were largely stable and benevolent as well.
Read More(REVIEW) “The Front Room” tries to say something important about faith, but its social commentary is too silly to take seriously and the thrills aren’t good enough to be silly fun. In a post-Christian society, it’s inevitable that movies will increasingly find creative ways to reflect and wrestle with this religious change. Hopefully, more of them will do so in a more intelligent (or at least entertaining) way than “The Front Room.”
Read More(ANALYSIS) Exorcism movies are making a comeback — and the reasons are more interesting than you might think. The likely reasons actually say a lot about the present and the future of religion in America and its intersection with the future of mass media. Here's a deeper look at why Hollywood is going all in on the genre.
Read More(REVIEW) “Rings of Power” tries to square the circle between the “The Lord of the Rings” wider Middle Earth treatment of religion, and it often is more confusing than anything. While the second season opener is far from perfect, it’s a giant leap forward toward the kind of show that “Lord of the Rings” fans deserve. It also honors J.R.R. Tolkein’s legacy and the way he imagined the world.
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