(REVIEW) “Guns & Moses” is a rare film that succeeds both as compelling entertainment and as a surprisingly thoughtful exploration of faith. It’s a model that shows how believers can examine all aspects of life through their faith and art — including those they'd prefer to keep in a concealed carry. The film expertly tells a story that is emotionally satisfying from a faith standpoint.
Read More(REVIEW) At times, it feels like there are two different “Light of the World” movies vying for dominance onscreen. One is a cringe Sunday school lesson with forced try-hard laughs and mini-sermons sprinkled throughout. The other is a beautifully animated character drama that shares the beauty of Jesus through relatable characters and moving imagery with genuine laugh-out-loud moments.
Read More(REVIEW) What’s most interesting about “The Sandman” is not the Netflix show itself — but what it says about religion and spirituality. The show has plenty to say about death and faith in ways that fit exactly in with many trends of our modern day. In this way, “The Sandman” is itself a time capsule of modern-day dreams about our life and how the world works.
Read More(REVIEW) “The Blind” deserves credit for making a Christian-friendly film that doesn’t downplay the darkness of life. If it had only been able to overcome some of the other tropes that plague the genre, the results could have been truly special. Even so, for fans of the Robertson family or those who want a classic Christian redemption story, this story about a duck-hunting clan mostly hits its target.
Read More(REVIEW) With no meaningful character arc and no coherent theme, “Honey Don’t!” leaves viewers adrift. It’s a detective story with no one to root for and nothing to say. Instead of delivering clarity in a chaotic world, it adds to the noise. In the words of Macbeth — adapted by Ethan Coen’s brother Joel in “The Tragedy of Macbeth” — the film is “full of sound and fury, signifying nothing.”
Read More(REVIEW) “East of Wall” is a heartwarming and raw story about overcoming hardship and helping others. Unfortunately, its unusual style both helps and hinders our ability to connect with the people and experiences at the center of the drama. The film follows Tabatha, a rebellious horse trainer, who, after her husband’s death, wrestles with unresolved grief while providing refuge for a group of teens.
Read More(ANALYSIS) Two recent announcements about two upcoming faith-based releases that could be game-changers for the industry: Angel Studios and The Wonder Project’s “Young Washington” and Mel Gibson’s “The Resurrection of the Christ.” While the announcements have mostly gone under the radar, they have the potential to upend the Hollywood landscape as we know it for a long time to come.
Read More(REVIEW) “The Fantastic Four: First Steps” continues the Marvel trend of having a strained relationship with God that reflects trends within our culture. And while this new version of the Fantastic Four is more optimistic in many ways, its view of God is increasingly terrifying. Marvel has long had a complicated relationship with God. While they mostly ignore Him, the movies have, over time, featured and discussed the Almighty more and more.
Read MoreThe film, a standout in early faith-based cinema, returns for its 15th anniversary amid a revitalized genre led by hits like “The Chosen.” Directed by Dallas Jenkins and starring Kevin Sorbo, the film explores an alternate reality where a businessman sees the life he could have had by following God’s path. Strong writing and emotional depth elevate it above genre clichés.
Read More(REVIEW) Stories help us sift through random events of our lives into something coherent. COVID was a seminal time in American life, and it’s more than right that we should tell stories about it. But without something coherent to say, those stories stop being useful ways to interpret the noise, and instead just add to it.
Read More(ANALYSIS) Are Superman and Jesus headed for an American revival? For better or worse, people’s love of Superman and devotion to God have always been tightly fused. Whether this will lead to a long-term revival for both or just a short-term connection remains to be seen. For now, a lot more people are looking up to the heavens than were before.
Read More(ANALYSIS) With the increasing secularization of America, there’s far more freedom for Hollywood writers to tell stories about the afterlife that are in conflict with Christian narratives. There’s less cultural pressure to conform to Christian norms, so filmmakers are now freer explore alternative or ambiguous views of the afterlife.
Read MoreThe director’s most recent film, “The Phoenician Scheme.” very explicitly affirms faith. This is all the more surprising because his previous film was one of the most moving anti-faith films of the past 20 years. What explains this? Why did Anderson change his portrayal of faith so radically between his last film and his latest one?
Read More(REVIEW) Zombies resemble humans without retaining anything about our distinct personalities or relationships also have a visceral ability to articulate our fear of the end. Death is an ever-present fact of life, so symbols of death, like skulls or the Grim Reaper, are natural. This is particularly true during times when religious symbols of death and what comes after (like the Christian cross) appear to be out of style.
Read More(ANALYSIS) If we agree that on-screen depictions of Jesus that add things to Scripture aren’t automatically evil, then “The Chosen” actually comes out seeming like something of a miracle. It sticks pretty darn close to Scripture when it comes to Jesus’ own words and actions, mostly developing other characters. And what it does add to Jesus’ words is within the realm of typical Christian orthodoxy.
Read More(REVIEW) Benjamin Franklin famously once said, “In life, nothing is certain but death and taxes.” Death is one of those things that the religious and non-religious have in common. It forces both to contemplate how to find meaning in life. Religious people have had the advantage in this regard, as the idea of eternal life is more appealing for people than the alternative.
Read More(REVIEW) “The Ritual” is a movie you’ve seen many times before. But the story is clearly powerful enough that it is worth retelling. Hopefully, filmmakers will start figuring out how to tell these stories in new and different ways. In the meantime, we have movies like “The Ritual” and can always rewatch a classic such as “The Exorcist” again.
Read More(REVIEW) It’s been said, “You may not care about politics, but politics cares about you.” The same is true of religion. If you want to better understand your neighbors — and the cultural and political forces shaping America — “The American Religious Landscape” is the primer you’ve been looking for. Despite all the data, it’s also a book that does not disappoint.
Read More(REVIEW) The film does fall into some contrived tropes. It’s never really adequately explained why they don’t initially try to get donations for the surgery (or help from Joe’s super-rich friend). But it doesn’t lean as far into these as most do, and the authenticity of how the characters behave in these situations makes up for it. “The Last Rodeo” is the best Angel Studios movie to date and one of the better faith-based industry films ever made.
Read More(REVIEW) While “Bad Shabbos” is very funny, little about it really breaks new ground, as it primarily leans on the classic tropes and themes of a Jewish “meet the parents” comedy. The movie also has some tonal awkwardness between the relatively grounded characters and dialogue mixed with its rather unbelievable farcical premise and series of escalating decisions.
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