(REVIEW) “Martin Scorsese Presents: The Saints” is an eight-episode docudrama series following the lives and sacrifices of saints: Joan of Arc, Francis of Assisi, John the Baptist, Thomas Becket, Mary Magdalene, Moses the Black, Sebastian and Maximillian Kolbe. Each episode features a dramatization of their lives, narration by Scorsese and a panel featuring the famed director “and friends.”
Read More(REVIEW) Despite its flaws, “Agatha All Along” gives a refreshingly honest look at grief, relationships, the false promises of power and selfishness. In a world that churns out superhero movies with nothing to say, this is a welcome thing. In a world that tries to idealize the witch lifestyle, this show gives a far more accurate take than most forms of media have the guts to. The world of “Agatha” is one without hope in the face of death.
Read More(REVIEW) Hellboy is an odd character with a bumpy cinematic history. Based on a comic book series, Hellboy is the son of a demon and a witch who was brought from hell into the world by Nazis. He was rescued and raised by Professor Broom of the BPRD (Bureau for Paranormal Research and Defense) who became his surrogate father and trained to help save the world from monsters.
Read More(REVIEW) Forgiveness is widely considered one of the most difficult things to do in life — particularly when it comes to the relationship between parents and children. This is probably why so many films deal with the idea of reconciling with one’s parents. “Exhibiting Forgiveness” does a great job of honestly wrestling with the hardest questions around forgiveness.
Read More(REVIEW) Unlike exorcism movies, which have largely gone unchanged since the 1973 film ‘The Exorcist,” vampire films have gone through interesting cycles of evolution. While vampires originally were portrayed as evil, alien creatures, franchises such as “Twilight” and “The Vampire Diaries” showed them as hot antiheroes and even — at times — as wholesome and misunderstood.
Read MoreThe second season of “Rings of Power” is far from perfect. But the finale pays off its themes in surprisingly satisfying ways, making it far more faithful to J.R.R Tolkien than its most ardent detractors will admit. To say that “Rings of Power” is controversial would be an understatement. Since its premiere, the series has fallen afoul of the culture wars online.
Read More(ANALYSIS) Two recent events have made major headlines in the faith-based film industry. The first was the dominance of faith-based, politically right-wing films at the domestic box office. The second was Dallas Jenkins’ announcement that his “The Chosen” TV series about Jesus was expanding into a whole “The Chosen” universe of shows.
Read MoreMost religious mythologies reflect how various peoples experience the world. Mesopotamia had really bad weather and tribal warfare, so its people tended to portray the gods as deeply chaotic and unreliable. Meanwhile, their Egyptian neighbors had stable weather and an equally stable government. As a result, their gods were largely stable and benevolent as well.
Read More(REVIEW) “The Front Room” tries to say something important about faith, but its social commentary is too silly to take seriously and the thrills aren’t good enough to be silly fun. In a post-Christian society, it’s inevitable that movies will increasingly find creative ways to reflect and wrestle with this religious change. Hopefully, more of them will do so in a more intelligent (or at least entertaining) way than “The Front Room.”
Read More(ANALYSIS) Exorcism movies are making a comeback — and the reasons are more interesting than you might think. The likely reasons actually say a lot about the present and the future of religion in America and its intersection with the future of mass media. Here's a deeper look at why Hollywood is going all in on the genre.
Read More(REVIEW) “Rings of Power” tries to square the circle between the “The Lord of the Rings” wider Middle Earth treatment of religion, and it often is more confusing than anything. While the second season opener is far from perfect, it’s a giant leap forward toward the kind of show that “Lord of the Rings” fans deserve. It also honors J.R.R. Tolkein’s legacy and the way he imagined the world.
Read More(REVIEW) “The Crow” is the latest Hollywood remake brought to the screen. Based on the 1994 cult classic, the new film stars Bill Skarsgard as Eric Draven, who, after home invaders kill him and his girlfriend, makes a deal with an agent of the afterlife to come back as an indestructible assassin to exact revenge on the killers.
Read More(REVIEW) While “The Forge” deserves credit for wanting to address the real problems of struggling men and boys, it fails to speak to the very people it says it wants to help. Christian parents of such boys would be better off passing on this movie and following other sources for their boys, and following the example of the movie’s Cynthia by praying for them instead.
Read More(REVIEW) Cryptocurrency is a really fascinating topic worth talking about. It’s gratifying to see it being talked about in the context of faith. If the documentary had only trusted the audience more to inform them rather than advertise to them, it would have added something even more valuable to the conversation.
Read More(REVIEW) “Shepherds” is certainly a book that is stuffed with footnotes, each page linking to multiple articles and websites to back up her claims. It’s unfortunately a book many people will jump to either attack or support without actually looking up the sources themselves. But it is a book that requires just that to responsibly engage with it. To Basham’s credit, she provides the footnotes for people to check her work. For this review, I did not fact-check every source that Basham cited.
Read More(REVIEW) What “white savior” and “white guilt” movies both do is create a fantasy about Christian history that makes us comfortable. In reality, Western Christian history is far more complicated. Filmmakers like Tamahori simply replace one fantasy with another. And, ironically, miss out on a much better movie. “The Convert” has enjoyable pacing and individual performances, but its shallow treatment of its well-worn cliches will make few believers.
Read More(REVIEW) “Sing Sing” — the latest film from celebrated independent film studio A24 — tells the story of Divine G, imprisoned at a maximum security prison (Sing Sing) for a crime he didn't commit. He finds purpose by acting in a theater group alongside other incarcerated men. The film is based on the book, “The Sing Sing Follies,” which tells the true story of Divine G and the theater program he founded while incarcerated.
Read MoreThe movie follows FBI agent Harper Lee who uncovers a series of occult clues that she must solve to catch a serial killer, played by Nicholas Cage). On her way, she discovers her own connection to the serial killer which forces her to confront her own past to hopefully take him down. The film, directed by Oz Perkins and released by Neon, offers up intrigue — but ultimately goes out of its way to glorify evil.
Read More(REVIEW) “Fleur de Lis” is a sharp-witted and endearing animated hijinks-adventure sitcom with a Christian worldview and a controversial way it’s made: using artificial intelligence. Faith-based films and TV shows are not known for their innovation. Between the running gag of faith-based knockoffs of secular content (such as “Revelation Road” being a knockoff of “Mad Max”) and otherwise playing it fairly safe with its inspirational drama formula.
Read More(REVIEW) “The Exorcism” is a beautifully shot and smartly conceived meta-take on the exorcism genre. Unfortunately, instead of developing or paying off its ideas, it abandons them in favor of an unreflective string of the very cliches it spent the rest of the movie deconstructing. Russell Crowe stars as Anthony Miller, a washed-up actor out of rehab trying to reconnect with his troubled daughter.
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