(REVIEW) “Is God Is” follows twin sisters on a quest to kill their father, who disfigured them as children. Unfortunately, the movie does more than simply offer fictional frontier-style justice to typically underrepresented audiences. It goes so far as to renounce the virtue of forgiveness altogether.
Read More(ANALYSIS) The way Hollywood portrays faith is changing because American culture is changing. The growing divide in these portrayals reflects the same growing divide in America. Next year may be when this clash gets its biggest arena — and we will all be watching, popcorn in hand.
Read More(REVIEW) A “Romeo and Juliet” style love story, “Cast Aside The Clouds” that protests how religious intolerance — such as the kind regularly levied against the Baháʼí people in Iran — threatens love by targeting innocent people for oppression.
Read More(REVIEW) Murdock is a real believing Catholic. It’s something the series takes seriously. This is particularly easy to see in the attention to detail toward Catholic teaching.
Read More(ANALYSIS) Gen Z is driving a renewed interest in in-person life — from bookstores to churches — as a response to digital isolation. But this revival is fragmented, fueled by online subcultures and personal choice. While community is returning, it’s splintered into niche groups, creating connection within silos rather than a shared cultural or social life.
Read More(ANALYSIS) The popularity of musical biopics across both Hollywood and faith-based industries reflects the deep connection between religion and music in the shaping modern culture. It also reveals two different frameworks for interpreting that influence. Ideally, audiences can engage both and think more deeply about what each suggests for their own lives.
Read More(REVIEW) The film is an example of how Hollywood uses Christian metaphysical assumptions when dealing with non-Christian faiths — all while denying Christianity and promoting these same pre-Christian religions. “Lee Cronin’s The Mummy” has nothing remotely to do with Egyptian mythology. But that doesn’t mean it has nothing to say about our modern relationship with faith.
Read More(REVIEW) “A Great Awakening” explores the friendship between Benjamin Franklin and George Whitefield, using their relationship to examine faith’s role in America’s founding. However, the film lacks the power and impact that it claims Whitfield had on his audiences.
Read More(REVIEW) What will the legendary filmmaker Martin Scorsese add to these depictions of Mary that we haven’t seen before? Frankly, not much.
Read More(REVIEW) “The House of David” Season Two improves on its strengths while refining its flaws, delivering a compelling biblical epic about power, faith and leadership. Despite some uneven pacing and character development, it offers a timely, countercultural vision of heroism grounded in moral responsibility.
Read MoreVery few superheroes wear their faith on their sleeves like Daredevil. But the Season 2 opener for Disney+ series “Daredevil: Born Again” has pulled back on those elements. If that reflects the rest of the season, it will be to the show’s detriment.
Read MoreWhen “The Faithful: Women of the Bible” trusts the Bible’s voice, it does a great job of giving voice to the women that it portrays. Unfortunately, far too often, the filmmakers shout their own voices too loud for you to hear the real women they claim to be elevating.
Read MoreThe movie has all the beats you want: Likeable characters, a clear villain, good pacing, decent scares and a clear social fear it’s tapping into. It also has the typical horror contrivances where characters have to be extremely obtuse or be insanely unlucky to keep them from getting out of the situation almost immediately.
Read More(ANALYSIS) “KPop Demon Hunters,” a global hit, has sparked debate among Christians over whether its themes are spiritually dangerous. The controversy reflects deeper cultural shifts in Korea and the U.S., where declining organized religion and rising spirituality are widening divides between traditional beliefs and a newer ethos.
Read More(ANALYSIS) This year’s nominees’ bias toward personal faith over organized religion reflects the move our own society is making in that direction. It remains, however, to be seen whether that spirituality will evolve to meet the challenges of hyper-individualism, or if organized religion will simply outlast it. The Academy Awards will be handed out March 15 in Los Angeles.
Read More(REVIEW) When it came out, the film was a watershed moment for the faith-based film industry. It was the highest-grossing independent film of 2018. This showed that faith-based films could succeed in the mainstream commercially and critically. Not only did this create more investment in faith-based projects, but also shaped future films.
Read More(REVIEW) “Dracula” stands apart from recent pagan-leaning vampire films by embracing an explicitly Christian worldview. Framing vampirism as rebellion against God and redemption through repentance, it centers a heroic Catholic priest and divine mercy. Though weakened by its reincarnation premise, the film uniquely treats Christianity as true and redemptive.
Read MoreClarkson’s work goes against the cultural current. In an age where many loud voices urge us to put away thoughts of self-criticism and turn instead toward radical self-acceptance, he argues that to truly value ourselves is to understand where we have failed and where we need to grow. He encourages readers to spend less time bemoaning the people who are making the world worse.
Read More(REVIEW) Faith-based films about sex trafficking are becoming more common, reflecting cultural anxieties and a push toward grittier storytelling. “Still Hope” exemplifies this trend, offering a sincere portrayal of recovery, but ultimately faltering through one-dimensional characters, didactic messaging and a tendency to prioritize education over authentic stories.
Read More(REVIEW) “Moses the Black” is a gritty, well-crafted independent film exploring faith, violence and redemption through a Chicago gang leader’s encounter with a historical saint. Anchored by strong performances and confident direction, it offers a rare, authentic portrayal of religious experience largely absent from Hollywood and deeply rooted in lived belief.
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