(REVIEW) A new biography explores David Bowie’s spiritual life beneath his flamboyant personas, especially Ziggy Stardust. Drawing on interviews and songs, it portrays a restless seeker shaped by diverse religious influences, whose music reflected an ongoing quest to understand God, faith and existence beyond organized religion.
Read More(REVIEW) Murdock is a real believing Catholic. It’s something the series takes seriously. This is particularly easy to see in the attention to detail toward Catholic teaching.
Read MoreIn the book “Glimmerings: Letters on Faith Between a Poet and a Theologian,” two friends engage in a conversation about God as they approach the twilight of their lives. It’s an easy-to-follow real-life discussion about suffering, God and how to cope when times get hard.
Read More(REVIEW) “Hulk Hogan: Real American” succeeds not because it answers questions, but because it refuses to. It presents Hogan as a deeply contradictory figure: A man who inspired millions while struggling to live up to his own ideals, a public hero whose private life was often marked by pain and failure and a Christian who spent much of his life in and out of the ring.
Read More(REVIEW) Netflix’s new four-part docuseries “Trust Me: The False Prophet” gives viewers never-before-seen access to the inner workings of a high-control religion and cult. It’s a fascinating true story of danger, moral conviction, sacrifice, redemption and justice. Cult psychology expert and former mainstream Mormon, Christine Marie and her filmmaker husband, Tolga Katas, move to the area to support the FLDS community and document their lives.
Read More(REVIEW) The film is an example of how Hollywood uses Christian metaphysical assumptions when dealing with non-Christian faiths — all while denying Christianity and promoting these same pre-Christian religions. “Lee Cronin’s The Mummy” has nothing remotely to do with Egyptian mythology. But that doesn’t mean it has nothing to say about our modern relationship with faith.
Read More(REVIEW) This concert marked the first world premiere in the Sistine Chapel. Yet, what lingered most was not the sense of history being made, but the work itself: A meditation on divine presence. In a space accustomed to silence rather than sound, “Angels Unawares” felt less like an interruption and more like a natural extension of the place.
Read More(REVIEW) What will the legendary filmmaker Martin Scorsese add to these depictions of Mary that we haven’t seen before? Frankly, not much.
Read More(REVIEW) In the last eighteen months, two Christian publishers have released books reimagining C.S. Lewis’s classic ‘The Screwtape Letters’ as concerning the temptation not of a man, but of a woman. The authors are at their best when they take the Lewisian approach, considering women not just as females, but as humans.
Read More(REVIEW) Easter traditions like hot cross buns and chocolate eggs are widely enjoyed, but their deeper Christian meaning is often overlooked. Sister Liz Dodd’s book “Easter in Disguise” urges a return to the festival’s spiritual roots, encouraging reflection on justice, peace and radical discipleship during Lent and Holy Week.
Read MoreVery few superheroes wear their faith on their sleeves like Daredevil. But the Season 2 opener for Disney+ series “Daredevil: Born Again” has pulled back on those elements. If that reflects the rest of the season, it will be to the show’s detriment.
Read MoreWhen “The Faithful: Women of the Bible” trusts the Bible’s voice, it does a great job of giving voice to the women that it portrays. Unfortunately, far too often, the filmmakers shout their own voices too loud for you to hear the real women they claim to be elevating.
Read MoreBefore the war broke out, knowledgeable observers agreed that a vast majority of long-suffering Iranians despised the ruling theocracy’s incompetence and oppression. So a revolution now might seem as likely as in 1979, when such widespread revulsion brought down one dictator, only to be replaced by another one.
Read MoreThe movie has all the beats you want: Likeable characters, a clear villain, good pacing, decent scares and a clear social fear it’s tapping into. It also has the typical horror contrivances where characters have to be extremely obtuse or be insanely unlucky to keep them from getting out of the situation almost immediately.
Read More(REVIEW) Marking the 150th anniversary of Gwen John’s birth, the exhibition “Gwen John: Strange Beauties” explores how her conversion to Catholicism shaped her art. Featuring paintings and rarely seen works on paper, it reveals how faith, solitude and subtle repetition informed the Welsh artist’s quietly modern and deeply contemplative practice.
Read More(REVIEW) When it came out, the film was a watershed moment for the faith-based film industry. It was the highest-grossing independent film of 2018. This showed that faith-based films could succeed in the mainstream commercially and critically. Not only did this create more investment in faith-based projects, but also shaped future films.
Read More(REVIEW) Ilhan Mohamed Abdi’s “The Ramadan Kitchen” blends memory, faith and flavor, drawing on her Somali and Egyptian heritage to explore Ramadan through food. Organized around suhoor, iftar, Eid and shared meals, the cookbook celebrates fasting, generosity and cross-cultural connection across nearly 80 recipes.
Read MoreJames Tabor opens his book, “Lost Mary: Rediscovering the Mother of Jesus,” with a paradoxical statement: “Jesus’s mother, Mary, is the best-known, least-known woman in history.” He argues that she’s been lost through “the thick fog of later tradition and theology” and “systematically erased over the past two millennia.”
Read More(REVIEW) Faith-based films about sex trafficking are becoming more common, reflecting cultural anxieties and a push toward grittier storytelling. “Still Hope” exemplifies this trend, offering a sincere portrayal of recovery, but ultimately faltering through one-dimensional characters, didactic messaging and a tendency to prioritize education over authentic stories.
Read More(REVIEW) “Moses the Black” is a gritty, well-crafted independent film exploring faith, violence and redemption through a Chicago gang leader’s encounter with a historical saint. Anchored by strong performances and confident direction, it offers a rare, authentic portrayal of religious experience largely absent from Hollywood and deeply rooted in lived belief.
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