(REVIEW) Benjamin Franklin famously once said, “In life, nothing is certain but death and taxes.” Death is one of those things that the religious and non-religious have in common. It forces both to contemplate how to find meaning in life. Religious people have had the advantage in this regard, as the idea of eternal life is more appealing for people than the alternative.
Read More(REVIEW) “The Ritual” is a movie you’ve seen many times before. But the story is clearly powerful enough that it is worth retelling. Hopefully, filmmakers will start figuring out how to tell these stories in new and different ways. In the meantime, we have movies like “The Ritual” and can always rewatch a classic such as “The Exorcist” again.
Read More(REVIEW) It’s been said, “You may not care about politics, but politics cares about you.” The same is true of religion. If you want to better understand your neighbors — and the cultural and political forces shaping America — “The American Religious Landscape” is the primer you’ve been looking for. Despite all the data, it’s also a book that does not disappoint.
Read More(REVIEW) The film does fall into some contrived tropes. It’s never really adequately explained why they don’t initially try to get donations for the surgery (or help from Joe’s super-rich friend). But it doesn’t lean as far into these as most do, and the authenticity of how the characters behave in these situations makes up for it. “The Last Rodeo” is the best Angel Studios movie to date and one of the better faith-based industry films ever made.
Read More(REVIEW) “The Many Lives of Anne Frank” is trenchant, elegant and relevant — beautifully written, almost like a novel. Franklin achieves the seemingly impossible: Allowing the reader to see the flesh-and-blood Anne — complex, rambunctious, talkative, critical, acerbic, funny and vivacious — rather than the homogenized and sentimentalized figure enshrined in pop culture.
Read More(REVIEW) While “Bad Shabbos” is very funny, little about it really breaks new ground, as it primarily leans on the classic tropes and themes of a Jewish “meet the parents” comedy. The movie also has some tonal awkwardness between the relatively grounded characters and dialogue mixed with its rather unbelievable farcical premise and series of escalating decisions.
Read More(REVIEW) “Fallen,” the love story of a girl loved by a fallen angel, has been adapted to the screen twice since the original book was released in 2009. Its most recent adaptation to television, an eight-episode season now streaming on AMC+, suggests a more negative view of religion that’s developed over the past decade — and it’s worse off narratively for not embracing the original story’s theology.
Read More(REVIEW) If words like “radio silent,” “compound” and “too good to be true” didn’t give it away. In the cult setting, “Opus” explores celebrity worship, creativity, culture as a mouthpiece of movements and the public fascination with true crime. It explains all the reasons why we love consuming cult content — it’s just ultimately an unfulfilling watch on its own.
Read More(REVIEW) “Shadow of God” is stuck between several different possible movies and doesn’t commit to any of them effectively. It could have been an entertainingly self-aware exorcism movie, but it has too few scenes where it embraces that winking glee for the cliches. It could have subverted the cliches with its own original ideas. Even if its ideas weren’t original it could have made up for it with thoughtful and nuanced dialogue to explore familiar ground.
Read More(REVIEW) This is why a crowdfunded series ended up reaching box office heights. People don’t watch this series because they love it. They watch it because they love Jesus. The show, through its artistry and creativity, helps people see Him more clearly. It succeeds because film has a unique power: It can offer pure experiences that go beyond words.
Read More(REVIEW) A few flaws aside, “The Chosen: The Last Supper Part 2” is easily the strongest middle chapter of the popular series by far. This only makes me more excited for the final episode just as Easter approaches. If they can land that, “The Chosen: The Last Supper” will truly be the best season of the show to date — and another sign that the faith-based film industry has truly come of age.
Read More(REVIEW) The book boldly gives a brave, honest and forceful account of the realities of the effect of colonialism on Anglicanism past and present, Percy critically examines how the Anglican Church, which served as both a spiritual arm and a moral justification for British imperial expansion, is now struggling with the enduring legacy of complicity in slavery and colonialism.
Read More(REVIEW) The fifth season premiere is great, and the best opener to a “The Chosen” season yet. Everything good about the series is here, and most of the weaknesses I’ve critiqued over the past four seasons are all but absent. This latest installment of “The Chosen” is a testament to how the faith-based industry can evolve in quality and how both Christians and non-Christians will embrace it when it does.
Read More(REVIEW) There’s a kind of soothing boredom that settles in throughout the film. Everything about it is mild. The jokes are gentle. The characters’ anger restrained. The sadness subdued. The animation is beautiful, but unremarkable. The voice actors deliver their lines without much intensity. Because the emotional highs and lows are nonexistent, the experience is more like watching a screensaver.
Read MoreOver the years. as a film critic, I’ve sometimes been asked to change my reviews so that my criticism wouldn’t prevent people from seeing the movie and being impacted by its message. This question came to mind while watching the movie “The Last Supper” and reading the passion with which the filmmakers talked about making such a film. The filmmakers clearly had a lot of love for making it, but it is not a good film.
Read More(REVIEW) Researcher and author Diana Darke argues that the connections between Islamic and Christian cultures during the medieval period were stronger than commonly believed. This cross-fertilization of cultures had an impact on society, religion and culture. Her extensive research, covering hundreds of buildings across Europe, North Africa and the Middle East led her to propose replacing the term “Romanesque” with “Islamesque.”
Read More(REVIEW) “Daredevil: Born Again” picks up years after the original show ended and a year after blind lawyer Matt Murdock stopped his activities as the masked vigilante "Daredevil" due to a tragic incident. Murdock continues his fight for justice as a lawyer while former crime boss Wilson Fisk is elected mayor of New York, putting the pair on a collision course. Some of the magic is definitely back.
Read More(REVIEW) The film’s best elements still chaff under faith-based genre tropes. The genre that Kingdom Story Company has conquered so successfully is built on an audience that highly prizes good messages and family friendliness. Both of these are good things. But that has often rewarded tropes that work against the genre being both truthful or beautiful. These have often become more noticeable as the quality of the movies have otherwise improved.
Read More(REVIEW) Author of “The Power Worshippers: Inside the Dangerous Rise of Religious Nationalism,” Katherine Stewart picks up where that 2020 book left off in her new work “Money, Lies, and God: Inside the Movement to Destroy American Democracy.” In it, she surveys a horizon that has only grown darker. It is a landscape overshadowed by a well-organized, well-funded consortium of oligarchs and billionaires and others.
Read More(REVIEW) The film follows Roya Mahboob, an Afghan woman whose passion in life is giving young girls a chance at a better life by teaching them computer programming. She decides that the only way to gain popular support for her endeavors in a patriarchal society is to start a women’s robotics team and win global competitions. But this will be harder and more dangerous than she suspects. It may go without saying, but the movie has a worthy message based on inspiring real-life people.
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