Posts in Review
The Year Faith-Based Films Finally Grew Up: The Top 10 Movies Of 2025

(ANALYSIS) There’s no doubt that faith-based films blew up in 2025. Whether that’s in the faith-based film industry putting out record-breaking theatrical releases of “The Chosen” and other Jesus movies or Hollywood exploring religion with a newfound earnestness in the horror genre or blockbusters, faith was everywhere this year. 

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‘The Testament of Ann Lee’ Is A Cold Film About An Intensely Emotional Faith

(REVIEW) The film follows the real-life story of Ann Lee, who in the 18th century was the founding leader of the Shaker Movement and was proclaimed as the female Christ by her followers. “The Testament of Ann Lee” is an example of why Hollywood is interested in stories about faith. It’s also an example of why it’s hard for them to capture the experience in a way that resonates with believers. 

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Animated Movie ‘David’ Underwhelming, But A Good Step Forward For The Industry

(REVIEW) The film follows Biblical hero David, and while the film itself is rather underwhelming, its very existence is cause for celebration and optimism. We’ll likely see more, and better, animated faith-based films on the big screen in the coming years.

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New Book Challenges Via Dolorosa: Scholar Reconstructs Jerusalem’s Early Pilgrim Route

(REVIEW) A new book traces the footsteps of Christian pilgrims to Jerusalem for nearly a millennium before the Crusades, and the path differs significantly from the path tour guides take travelers on today. “But do the walk as you wish, and commemorate each station however you choose. From revisiting the material to simply enjoying the walk.”

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In UK Churches Off The Beaten Path, You Can Find Famous Sacred Art

Churches and cathedrals around the U.K. hold works of art by some of the most important and exciting artists of the past 100 years. But unless you know where to look, many can be hard to find. High-profile examples include significant commissions by Elisabeth Frink, John Piper and Graham Sutherland at Coventry Cathedral.

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‘The Case for Miracles’ Wants To Inspire Everyone — And Satisfies Almost No One

(REVIEW) “The Case for Miracles” attempts to encourage all of these groups with belief in the miraculous. Unfortunately, it tries to do too much and please too many potential audiences. The result is that, though its heart is in the right place, almost everyone, even those who agree with it, will likely go away unpersuaded and unsatisfied.

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How Holocaust Movies Help Us Understand Rising Antisemitism In The West

(ANALYSIS) These films give us hints as to potential “whys” behind rising Western antisemitism. When you look at the lessons the historical dramas teach, and the movies made about their legacy today, you see deep tensions. These tensions suggest that some of the popular secular lessons our culture has derived from the Holocaust are also planting the seeds of its rejection.

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From Virgin Birth To Miracles, A New Book Explores Historic Accounts Of Jesus

(REVIEW) In “Miracles and Wonder,” historian Elaine Pagels examines the life of Jesus through historical, textual and theological lenses. Balancing faith and skepticism, she revisits questions of the virgin birth, miracles, crucifixion and the resurrection — ultimately portraying Christianity’s enduring power as rooted not in certainty, but in hope.

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A Trial Without Tension: How The Movie ‘Nuremberg’ Fumbles Its Own Case

(REVIEW) This makes film’s presentation feel extremely — for lack of a better word — basic. The movie, however, never figures out exactly which of these threads it wants to follow. Is it about the trials? The nature of evil and whether the Nazis were unique or not? Is it trying to educate viewers about Holocaust history, or say something new about it?

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‘The Carpenter’s Son’ Trades Orthodoxy For Creative Freedom In Taking on Jesus

(REVIEW) “The Carpenter’s Son” is a horror-spun story following Joseph, played by Nicolas Cage, as he tries to raise Jesus. The film claims to ask hard questions about the biblical narrative — but it just ends up merely recapitulating simplistic modern narratives.

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Graffiti-Style Prayers: ‘Hear Us’ Brings Marginalized Voices into Canterbury Cathedral

(REVIEW) Visitors to Canterbury Cathedral in the U.K. have been surprised to find that parts of the building’s majestic architecture are currently daubed with eye-catching graffiti. But this is not the work of vandals. The colorful graphics are part of a thought-provoking art installation centered on the idea of asking questions to God.

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Holy Ground: The Buildings That Made — And Unmade — The Christian Faith

(REVIEW) It can be easy to forget the role physical space plays for various faith and why talks of bringing about a “New Jerusalem” were not far-fetched. They started in places made of stone — and as Fergus Butler-Gallie points out, “Jerusalem is a somewhere, not a nowhere. Specifically, it is here.”

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Hulu’s ‘Chad Powers’ Fumbles In Its Storytelling, Subbing In Crude For Clever

(REVIEW) Throughout the show “Chad Powers,” the f-bombs burst through the air more than footballs — and not just from Russ, but the coaches, women and the extras. The only one not dropping them in this faux football world was the “Christian” backup quarterback who was, of course, a sincere idiot.

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Film On Slain US Christian Missionary Misses An Opportunity For Empathy

(REVIEW) John Chau was an American man who died trying to preach the Gospel to North Sentinel Island, home to a tribe cut off from the outside world. The story captured the world’s attention — but a new film, "Last Days", recalls what happened, but was also a missed opportunity for secular-religious empathy.

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Between Parody And Possession: Rock Musical ‘Exorcistic’ Reimagines A Horror Classic

(REVIEW) “The Exorcist” has always stuck out to me as a movie because of its universality, its appeal to both the religious and secular. “Exorcistic” is a byproduct of the movie’s lasting influence in media that certainly leaves a wild impression of its own. It’s worth seeing if you want something to put you into the Halloween spirit.

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‘Black Phone 2’ Dials Into A New Era Of Faith-Based Horror — But Loses Its Signal

(REVIEW) “Black Phone 2” is good when it’s going for vibe and style. The first half, where it shows characters dealing with trauma without judging them, is Derrickson at his best. But a disappointing second half that focuses more on preaching than entertainment undermines any goodwill the film built up. And its harmful spiritual messages mean that this is a phone call there’s very little reason to take.

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‘Islam: A New History’ Gives Sweeping Introduction To One Of The World’s Largest Religions

(REVIEW) Like most mainstream, organized religions, Islam is a big tent. Corralling the various ideologies, sects, divisions, major players and developments over the course of some fourteen hundred years into a digestible narrative is no easy job, and Tolan’s effort is both daunting and admirable.

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Tyler Perry’s ‘Ruth & Boaz’ A Bold, But Flawed Faith-Based Romance

(REVIEW) “Ruth & Boaz,” a modern retelling of the biblical love story, blends faith-based themes with romantic drama and Tyler Perry-style spectacle. Directed by Alanna Brown and produced under a Netflix deal with DeVon Franklin and Tyler Perry Studios, the film explores themes of faith, redemption and healing while leaning heavily on familiar tropes.

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‘The Conjuring: Last Rites’ Success Highlights Growing Power Of Religious Audiences

(ANALYSIS) “The Exorcist” may be the most famous exorcism film ever made. But “The Conjuring” is easily the most successful exorcism franchise. Starting with “The Conjuring” in 2013, the franchise follows Ed and Lorainne Warren (played by Patrick Wilson and Vera Farmiga, respectively) as they, with the blessing of the Catholic Church, help families who claim to be haunted by demons.

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