(ANALYSIS) If we agree that on-screen depictions of Jesus that add things to Scripture aren’t automatically evil, then “The Chosen” actually comes out seeming like something of a miracle. It sticks pretty darn close to Scripture when it comes to Jesus’ own words and actions, mostly developing other characters. And what it does add to Jesus’ words is within the realm of typical Christian orthodoxy.
Read More(REVIEW) Benjamin Franklin famously once said, “In life, nothing is certain but death and taxes.” Death is one of those things that the religious and non-religious have in common. It forces both to contemplate how to find meaning in life. Religious people have had the advantage in this regard, as the idea of eternal life is more appealing for people than the alternative.
Read More(REVIEW) “The Ritual” is a movie you’ve seen many times before. But the story is clearly powerful enough that it is worth retelling. Hopefully, filmmakers will start figuring out how to tell these stories in new and different ways. In the meantime, we have movies like “The Ritual” and can always rewatch a classic such as “The Exorcist” again.
Read More(REVIEW) The film does fall into some contrived tropes. It’s never really adequately explained why they don’t initially try to get donations for the surgery (or help from Joe’s super-rich friend). But it doesn’t lean as far into these as most do, and the authenticity of how the characters behave in these situations makes up for it. “The Last Rodeo” is the best Angel Studios movie to date and one of the better faith-based industry films ever made.
Read MorePhil Robertson, who gained national fame as the bearded, camouflage-clad Duck Commander, “has gone to be with Jesus,” his Louisiana church family confirmed. The reality TV star and Bible teacher — known for leading hundreds, if not thousands, of souls to Christ — died this past Sunday at age 79. His family had revealed last year that Robertson faced early-stage Alzheimer’s and other health problems.
Read More(REVIEW) While “Bad Shabbos” is very funny, little about it really breaks new ground, as it primarily leans on the classic tropes and themes of a Jewish “meet the parents” comedy. The movie also has some tonal awkwardness between the relatively grounded characters and dialogue mixed with its rather unbelievable farcical premise and series of escalating decisions.
Read More"The Damned" is a film that focuses on the human element of war, particularly faith and individual stories, during the Civil War. Unlike many modern war films, it connects viewers with characters through their personal beliefs and struggles. Director Roberto Minervini used nonprofessional actors and improvisation to create an authentic experience.
Read MoreWhether or not this gender swap happens in the film, this should not be a surprise. Hollywood is moving toward a full-scale change in how it treats faith. Instead of elevating secularism over faith, Hollywood is adopting it as good when driven by women, but bad whenspearheaded by men. This change is putting it on a collision course with a growing alternative media, setting the stage for a new gender-coded culture war.
Read MoreChristian faith threatens Russian President Vladimir Putin because it is out of his control. As such, his war on Ukraine has centered on the systematic persecution of Christians, their families and their churches. That is the central message of “A Faith Under Siege: Russia’s Hidden War on Ukraine’s Christians,” a documentary premiering May 10 on CBN, and following on TBN, Newsmax and several screening platforms.
Read More(REVIEW) “Fallen,” the love story of a girl loved by a fallen angel, has been adapted to the screen twice since the original book was released in 2009. Its most recent adaptation to television, an eight-episode season now streaming on AMC+, suggests a more negative view of religion that’s developed over the past decade — and it’s worse off narratively for not embracing the original story’s theology.
Read More(REVIEW) If words like “radio silent,” “compound” and “too good to be true” didn’t give it away. In the cult setting, “Opus” explores celebrity worship, creativity, culture as a mouthpiece of movements and the public fascination with true crime. It explains all the reasons why we love consuming cult content — it’s just ultimately an unfulfilling watch on its own.
Read More(REVIEW) “Shadow of God” is stuck between several different possible movies and doesn’t commit to any of them effectively. It could have been an entertainingly self-aware exorcism movie, but it has too few scenes where it embraces that winking glee for the cliches. It could have subverted the cliches with its own original ideas. Even if its ideas weren’t original it could have made up for it with thoughtful and nuanced dialogue to explore familiar ground.
Read More(REVIEW) In an age ruled by smartphones, “Carlo Acutis: Roadmap to Reality” arrives as a timely and stirring documentary that invites viewers to pause, reflect and reconnect — with others, with the world and with something greater than themselves. This 90-minute documentary recounts the story of Carlo Acutis, a 15-year-old computer whiz who died of leukemia in 2006 and now set to be canonized a saint.
Read More(ANALYSIS) People might disagree whether Jesus is King, but he certainly is ruling the box office this Easter season. America loves movies and it loves Jesus. As a result, it’s s safe to say both will be with us for a very long time. You might say it’s Jesus’ world, we’re just living in it. That’s true to Christians at all times. But for now it’s also true when it comes to dominating the U.S. box office.
Read More(REVIEW) Data shows that organized religion is better for society than disorganized spirituality. Whether it’s mental health, building social bonds, fighting toxic masculinity, creating safety nets to avoid poverty or creating social change (just remember the Black church’s important role in pushing forward civil rights), there’s no doubt that the house of worship has more power than cloves of garlic to ward off the evils that plague us.
Read More(REVIEW) This is why a crowdfunded series ended up reaching box office heights. People don’t watch this series because they love it. They watch it because they love Jesus. The show, through its artistry and creativity, helps people see Him more clearly. It succeeds because film has a unique power: It can offer pure experiences that go beyond words.
Read More(ANALYSIS) While the Thai Buddhism depicted in “The White Lotus” is not completely realistic, there are several authentic ways to engage deeply with Buddhism, ranging from offering donations to short meditation retreats to ordination as a monastic. The series depicts an American woman who is interested in joining a yearlong meditation program at a temple, even though they do not offer such programs.
Read More(REVIEW) A few flaws aside, “The Chosen: The Last Supper Part 2” is easily the strongest middle chapter of the popular series by far. This only makes me more excited for the final episode just as Easter approaches. If they can land that, “The Chosen: The Last Supper” will truly be the best season of the show to date — and another sign that the faith-based film industry has truly come of age.
Read More(REVIEW) The fifth season premiere is great, and the best opener to a “The Chosen” season yet. Everything good about the series is here, and most of the weaknesses I’ve critiqued over the past four seasons are all but absent. This latest installment of “The Chosen” is a testament to how the faith-based industry can evolve in quality and how both Christians and non-Christians will embrace it when it does.
Read MoreFor the past few years, many TV dramas that air during Ramadan have tackled women's issues triggering public discussions that have led to cultural, social and legal changes. Dramas about women this Ramadan include “Hezbet Omri” (“The Sum of My Life”), which highlights the financial difficulties of the protagonist as she seeks alimony after divorce; and “Ikhwaati” (“My Sisters”), which features an all-female cast who face challenges outside traditional norms.
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