(REVIEW) “Moses the Black” is a gritty, well-crafted independent film exploring faith, violence and redemption through a Chicago gang leader’s encounter with a historical saint. Anchored by strong performances and confident direction, it offers a rare, authentic portrayal of religious experience largely absent from Hollywood and deeply rooted in lived belief.
Read More(REVIEW) “28 Years Later: The Bone Temple” comes out. This film functions less as a fourth sequel to “28 Days Later” and more as a direct one to “28 Years Later,” following the events from that film. In a shift, “The Bone Temple” makes the antagonists Satanists rather than Christians. This reflects a world, very much like ours, where Christianity is no longer atheism’s chief rival.
Read More(REVIEW) The faith-based film industry is going through major changes. It’s starting to break into the mainstream, with critical and box office success. As a result, there’s a new film genre called “based faith” targeting conservative, Christian male audiences, but if “The Pendragon Cycle: Rise of the Merlin” premiere is any indication, this new genre has a rocky road ahead.
Read More(ANALYSIS) Sam Kinison, the famed comedian, is remembered for his intensity, volcanic punchlines and the wild nights that carried him far beyond the boundaries most people never cross. But long before the fame, he lived in a world far more holier. Born into a family of Pentecostal preachers, he grew up where faith was the structure around which life revolved.
Read More(ANALYSIS) One of the things few people discuss about the “Avatar” films is how deeply “faith-based” they are. In fact, their spirituality may be one of the most influential things about the franchise in Hollywood. Since the first film graced theaters in 2009, Hollywood has followed its example in portraying religiosity on film — both for good and ill.
Read More(ANALYSIS) The hit Netflix series “Stranger Things” has consistently woven religious symbolism into its supernatural horror storytelling. Nowhere is this more striking than in the way the villain Vecna functions as a dark, inverted reflection of Jesus — especially in the show’s fifth and final season.
Read More(ANALYSIS) Many characteristics of Shaker life and belief set them apart from other Protestants, but their name derives from one of the most obvious. Early Shakers manifested the holy spirit they believed dwelled within them by shaking violently in worship. The film “The Testament of Ann Lee” brings this movement to life for modern audiences.
Read More(ANALYSIS) There’s no doubt that faith-based films blew up in 2025. Whether that’s in the faith-based film industry putting out record-breaking theatrical releases of “The Chosen” and other Jesus movies or Hollywood exploring religion with a newfound earnestness in the horror genre or blockbusters, faith was everywhere this year.
Read More(ANALYSIS) “A Charlie Brown Christmas,” the beloved animated television program, turns 60 this year. It is hard to imagine that it almost did not air. Network executives thought it moved too slowly for a Christmas special. They also were convinced that the absence of a laugh track, a staple of 1960s-era comedies, would be the kiss of death.
Read More(REVIEW) The film follows the real-life story of Ann Lee, who in the 18th century was the founding leader of the Shaker Movement and was proclaimed as the female Christ by her followers. “The Testament of Ann Lee” is an example of why Hollywood is interested in stories about faith. It’s also an example of why it’s hard for them to capture the experience in a way that resonates with believers.
Read More(REVIEW) What does it mean when we finds moral clarity from not just punishing criminals, but making it a spectacle? When the most reviled offenders are exposed and humiliated in public view, few feel compelled to object. After all, who would defend a child sex predator? All this is examined in a new must-see Paramount+ documentary.
Read More(REVIEW) The film follows Biblical hero David, and while the film itself is rather underwhelming, its very existence is cause for celebration and optimism. We’ll likely see more, and better, animated faith-based films on the big screen in the coming years.
Read More“Wake Up Dead Man: A Knives Out Mystery” has been celebrated by Christians and non-Christians alike. It has a 92% from critics and 94% from audiences on Rotten Tomatoes, and Christian outlets like Christianity Today have given the film glowingly positive reviews and specifically for its representations of faith.
Read More(ANALYSIS) Living in a culture that largely closes down each Dec. 25, many Jews have found ways of making meaning in the day — be that sharing family time over beef and broccoli, followed by a holiday blockbuster, or working to make sure that more of their colleagues can have a family day. And those, too, are Christmas traditions.
Read More(REVIEW) “The Case for Miracles” attempts to encourage all of these groups with belief in the miraculous. Unfortunately, it tries to do too much and please too many potential audiences. The result is that, though its heart is in the right place, almost everyone, even those who agree with it, will likely go away unpersuaded and unsatisfied.
Read More(ANALYSIS) These films give us hints as to potential “whys” behind rising Western antisemitism. When you look at the lessons the historical dramas teach, and the movies made about their legacy today, you see deep tensions. These tensions suggest that some of the popular secular lessons our culture has derived from the Holocaust are also planting the seeds of its rejection.
Read MoreThe hit series “Stranger Things” has become one of the biggest shows ever streamed on Netflix. The series, featuring a nostalgic mix of 1980s pop culture, government conspiracies and creatures from another dimension, have captivated millions. “Stranger Things” is not a religious series, but reminds viewers faith can take many forms.
Read More(REVIEW) The rom-com is about Joan and Larry, an elderly couple who are reunited in the afterlife as their younger, happier selves. They find themselves in a waiting room where souls have just a week to decide which “eternity zone” they want to spend forever in. Larry and Joan can’t be together if he’s in “beach” world and she’s in “mountain” world.
Read More(REVIEW) This makes film’s presentation feel extremely — for lack of a better word — basic. The movie, however, never figures out exactly which of these threads it wants to follow. Is it about the trials? The nature of evil and whether the Nazis were unique or not? Is it trying to educate viewers about Holocaust history, or say something new about it?
Read More(REVIEW) “The Carpenter’s Son” is a horror-spun story following Joseph, played by Nicolas Cage, as he tries to raise Jesus. The film claims to ask hard questions about the biblical narrative — but it just ends up merely recapitulating simplistic modern narratives.
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