There is a long history of hot rabbis on our pages and screens dating back to the dawn of the rabbinic tradition. There are manhood-measuring contests in the Talmud, smolder-eyed gazes from young Hasidic leaders in Yiddish literature and Ben Stiller as a very eligible junior rabbi in a cult hit rom-com.
Read More(ANALYSIS) Audience members may walk away from the first two movies in the “X” trilogy believing they’re meant to have picked up on a meaning. Maybe something about purity culture, womanhood or aging; maybe a warning about the perils of chasing stardom. But even the intended message is unclear.
Read More(REVIEW) “The Front Room” tries to say something important about faith, but its social commentary is too silly to take seriously and the thrills aren’t good enough to be silly fun. In a post-Christian society, it’s inevitable that movies will increasingly find creative ways to reflect and wrestle with this religious change. Hopefully, more of them will do so in a more intelligent (or at least entertaining) way than “The Front Room.”
Read More(ANALYSIS) Exorcism movies are making a comeback — and the reasons are more interesting than you might think. The likely reasons actually say a lot about the present and the future of religion in America and its intersection with the future of mass media. Here's a deeper look at why Hollywood is going all in on the genre.
Read More(REVIEW) Adam Sandler has gotten better at guitar since “Chanukah Song.” In his new Netflix comedy special, "Love You," the comedian plays a long, honestly impressive, flamenco riff before bursting into a song in which he complains about mowing the lawn, and also whinnies like a horse. Guitar skill, it seems, is the only thing that’s changed about Sandler.
Read More(OPINION) Hulu is releasing a docuseries in September called “Secret Lives of Mormon Wives,” and Hollywood is releasing a film called “Heretic” in mid-November. The Hulu series might attract voyeur types, but I’m hoping that more discriminating viewers will be repulsed by the sensational immorality featured in the program.
Read More(ANALYSIS) When the second installment in the blockbuster “Dune” franchise came out, it was hard not to see it as a not-very-subtle metaphor for the Israel-Hamas war. It was starnge to watch scenes of guerilla warriors in headscarves when I saw the same images on the news. Lately, people have been finding those same parallels in other movies or TV series about conflict.
Read More(REVIEW) “Rings of Power” tries to square the circle between the “The Lord of the Rings” wider Middle Earth treatment of religion, and it often is more confusing than anything. While the second season opener is far from perfect, it’s a giant leap forward toward the kind of show that “Lord of the Rings” fans deserve. It also honors J.R.R. Tolkein’s legacy and the way he imagined the world.
Read More(REVIEW) “The Crow” is the latest Hollywood remake brought to the screen. Based on the 1994 cult classic, the new film stars Bill Skarsgard as Eric Draven, who, after home invaders kill him and his girlfriend, makes a deal with an agent of the afterlife to come back as an indestructible assassin to exact revenge on the killers.
Read More(REVIEW) While “The Forge” deserves credit for wanting to address the real problems of struggling men and boys, it fails to speak to the very people it says it wants to help. Christian parents of such boys would be better off passing on this movie and following other sources for their boys, and following the example of the movie’s Cynthia by praying for them instead.
Read MoreNot only are churchgoers watching Christian movies, but some find them useful as an evangelistic and discipleship tool. A recent study asked churchgoers if they agree with the statement, “Christian movies are effective evangelism tools.” The study by Lifeway Research finds 68 percent of American Protestant churchgoers have watched a Christian movie in the last year. Around four in five say Christian movies are effective evangelism tools.
Read More(REVIEW) Cryptocurrency is a really fascinating topic worth talking about. It’s gratifying to see it being talked about in the context of faith. If the documentary had only trusted the audience more to inform them rather than advertise to them, it would have added something even more valuable to the conversation.
Read MoreGidi Dar did not set out to be a prophet. When he began work on his film Legend of Destruction, in 2016, he was simply drawn to a collection of Talmudic stories about Jewish zealots revolting against their Roman rulers in the first century, a rebellion that triggered the destruction of the Temple. Then, during the seven years the film spent in production, things began to shift in Israeli society.
Read More(REVIEW) What “white savior” and “white guilt” movies both do is create a fantasy about Christian history that makes us comfortable. In reality, Western Christian history is far more complicated. Filmmakers like Tamahori simply replace one fantasy with another. And, ironically, miss out on a much better movie. “The Convert” has enjoyable pacing and individual performances, but its shallow treatment of its well-worn cliches will make few believers.
Read More(REVIEW) “Sing Sing” — the latest film from celebrated independent film studio A24 — tells the story of Divine G, imprisoned at a maximum security prison (Sing Sing) for a crime he didn't commit. He finds purpose by acting in a theater group alongside other incarcerated men. The film is based on the book, “The Sing Sing Follies,” which tells the true story of Divine G and the theater program he founded while incarcerated.
Read MoreThe movie follows FBI agent Harper Lee who uncovers a series of occult clues that she must solve to catch a serial killer, played by Nicholas Cage). On her way, she discovers her own connection to the serial killer which forces her to confront her own past to hopefully take him down. The film, directed by Oz Perkins and released by Neon, offers up intrigue — but ultimately goes out of its way to glorify evil.
Read More(REVIEW) “Fleur de Lis” is a sharp-witted and endearing animated hijinks-adventure sitcom with a Christian worldview and a controversial way it’s made: using artificial intelligence. Faith-based films and TV shows are not known for their innovation. Between the running gag of faith-based knockoffs of secular content (such as “Revelation Road” being a knockoff of “Mad Max”) and otherwise playing it fairly safe with its inspirational drama formula.
Read MoreThe Supreme Court declined to hear an appeal from former reality TV star and Christian activist Josh Duggar regarding his conviction for downloading child sex abuse material. The nation’s highest court made no comment or notes on its decision to decline. Instead, the court just listed Duggar’s case as one in several petitions that were denied.
Read More(REVIEW) “The Exorcism” is a beautifully shot and smartly conceived meta-take on the exorcism genre. Unfortunately, instead of developing or paying off its ideas, it abandons them in favor of an unreflective string of the very cliches it spent the rest of the movie deconstructing. Russell Crowe stars as Anthony Miller, a washed-up actor out of rehab trying to reconnect with his troubled daughter.
Read More(REVIEW) It seems like everyone is making a Jesus movie these days. “The Chosen”, the multi-season TV series about the life of Jesus, is in its fourth season. Mel Gibson is still working on his “Passion” sequel. Oscar Isaac is playing Jesus in an upcoming animated movie. Within that lineup, one of the most innovative portrayals is a humble film made by a non-profit that depicts Jesus doing his ministry entirely through sign language.
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