“Nosferatu” shares many of the strengths of the rest of Robert Eggers' work. The filmmaking craft on display is undeniable. The camera lingers on the screen away from showing all of Nosferatu almost as if the camera itself is scared of him. The production design completely transports you into the world of the 18th century. Nonetheless, this is a film that has issues.
Read MoreMost religious mythologies reflect how various peoples experience the world. Mesopotamia had really bad weather and tribal warfare, so its people tended to portray the gods as deeply chaotic and unreliable. Meanwhile, their Egyptian neighbors had stable weather and an equally stable government. As a result, their gods were largely stable and benevolent as well.
Read More(REVIEW) “The Front Room” tries to say something important about faith, but its social commentary is too silly to take seriously and the thrills aren’t good enough to be silly fun. In a post-Christian society, it’s inevitable that movies will increasingly find creative ways to reflect and wrestle with this religious change. Hopefully, more of them will do so in a more intelligent (or at least entertaining) way than “The Front Room.”
Read MoreAndreas Kornevall, a Swedish-British ecologist and educator, is devoted to bringing the wisdom of Old Norse myths and rituals to bear on contemporary life — particularly in relation to current environmental crises. Through storytelling, scholarship and ceremonies, Kornevall excavates the ecological ethic inherent in the pre-Christian spirituality of Northern Europe.
Read MoreFriday the 13th is a day marked by superstition, as it’s believed to be extremely unlucky. This belief dates back to early Christianity.
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