(REVIEW) The faith-based film industry is shifting from family-friendly dramas toward male-focused, patriotic stories for conservative Christian audiences. “Young Washington” reflects that evolution with strong action, but ultimately weakens its emotional impact by oversimplifying George Washington’s ambition and spiritual transformation, limiting its cultural and thematic potential.
Read More(REVIEW) To understand post-Christian Western culture, watch “Hazbin Hotel.” As America continues to secularize and divide along religious and political lines, our culture is rewriting how we think about human nature and redemption. With its second season, the series encapsulates our evolving post-Christian imagination — and the ways we’re worse off for it.
Read More(REVIEW) “Just One More” has its heart in the right place. But it is held back by a preachy Christian filmmaking culture that leans on telling, not showing.
Read More(REVIEW) Steven Spielberg’s latest film “Disclosure Day” asks how people of faith would deal with finding out aliens are real. Sadly, one gets the distinct impression that Spielberg didn’t talk to any religious people when deciding his answer. Spielberg is responsible for some of the most iconic movies about aliens and faith ever made.
Read More(ANALYSIS) The Kane Parsons film “Backrooms” has captivated audiences since it hit theaters in May. The movie — a horror film about liminal spaces based on internet mythology — also taps into a series of religious ideas that have existed for centuries, particularly concepts such as purgatory, limbo and salvation.
Read More(REVIEW) While the show’s theological justification is surprisingly in line with the pope’s new AI principles, the execution proves that — as always — the devil is in the details.
Read MoreA low-budget movie, cheesy horror that is literally just “The Exorcist” meets “Speed” and whose theology is as thin as a communion wafer. In theory, this can be an opportunity for an actually really fun campy horror experience. Unfortunately, it’s far more interested in stale religious deconstruction than it is in classic scares.
Read More(REVIEW) “Is God Is” follows twin sisters on a quest to kill their father, who disfigured them as children. Unfortunately, the movie does more than simply offer fictional frontier-style justice to typically underrepresented audiences. It goes so far as to renounce the virtue of forgiveness altogether.
Read More(REVIEW) A “Romeo and Juliet” style love story, “Cast Aside The Clouds” that protests how religious intolerance — such as the kind regularly levied against the Baháʼí people in Iran — threatens love by targeting innocent people for oppression.
Read More(REVIEW) The film is an example of how Hollywood uses Christian metaphysical assumptions when dealing with non-Christian faiths — all while denying Christianity and promoting these same pre-Christian religions. “Lee Cronin’s The Mummy” has nothing remotely to do with Egyptian mythology. But that doesn’t mean it has nothing to say about our modern relationship with faith.
Read MoreThe movie has all the beats you want: Likeable characters, a clear villain, good pacing, decent scares and a clear social fear it’s tapping into. It also has the typical horror contrivances where characters have to be extremely obtuse or be insanely unlucky to keep them from getting out of the situation almost immediately.
Read More(REVIEW) “Midwinter Break” is a film that, from its synopsis, seems quaint and charming, but beneath this charm, the tensions and conflicts run deep. It’s a meditative movie on the nature of faith and relationships that’s sure to have an impact — particularly for those who believe their lives need a major change.
Read More(REVIEW) When it came out, the film was a watershed moment for the faith-based film industry. It was the highest-grossing independent film of 2018. This showed that faith-based films could succeed in the mainstream commercially and critically. Not only did this create more investment in faith-based projects, but also shaped future films.
Read More(REVIEW) “Dracula” stands apart from recent pagan-leaning vampire films by embracing an explicitly Christian worldview. Framing vampirism as rebellion against God and redemption through repentance, it centers a heroic Catholic priest and divine mercy. Though weakened by its reincarnation premise, the film uniquely treats Christianity as true and redemptive.
Read More(REVIEW) Faith-based films about sex trafficking are becoming more common, reflecting cultural anxieties and a push toward grittier storytelling. “Still Hope” exemplifies this trend, offering a sincere portrayal of recovery, but ultimately faltering through one-dimensional characters, didactic messaging and a tendency to prioritize education over authentic stories.
Read More(REVIEW) The film follows the real-life story of Ann Lee, who in the 18th century was the founding leader of the Shaker Movement and was proclaimed as the female Christ by her followers. “The Testament of Ann Lee” is an example of why Hollywood is interested in stories about faith. It’s also an example of why it’s hard for them to capture the experience in a way that resonates with believers.
Read More“Wake Up Dead Man: A Knives Out Mystery” has been celebrated by Christians and non-Christians alike. It has a 92% from critics and 94% from audiences on Rotten Tomatoes, and Christian outlets like Christianity Today have given the film glowingly positive reviews and specifically for its representations of faith.
Read More(REVIEW) “The Case for Miracles” attempts to encourage all of these groups with belief in the miraculous. Unfortunately, it tries to do too much and please too many potential audiences. The result is that, though its heart is in the right place, almost everyone, even those who agree with it, will likely go away unpersuaded and unsatisfied.
Read More(REVIEW) This makes film’s presentation feel extremely — for lack of a better word — basic. The movie, however, never figures out exactly which of these threads it wants to follow. Is it about the trials? The nature of evil and whether the Nazis were unique or not? Is it trying to educate viewers about Holocaust history, or say something new about it?
Read More(REVIEW) “The Carpenter’s Son” is a horror-spun story following Joseph, played by Nicolas Cage, as he tries to raise Jesus. The film claims to ask hard questions about the biblical narrative — but it just ends up merely recapitulating simplistic modern narratives.
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