(REVIEW) “Conclave,” the fictional thriller that outlines the Catholic process of selecting a new pope, does the audience the service of stating its intended message outright. In a controversial homily that begins the proceedings, Cardinal Thomas Lawrence declares that “certainty is the great enemy of unity.” The movie also goes on to demonstrate that lesson in a variety of ways, as conspiracy abounds and tension grows.
Read More(REVIEW) Forgiveness is widely considered one of the most difficult things to do in life — particularly when it comes to the relationship between parents and children. This is probably why so many films deal with the idea of reconciling with one’s parents. “Exhibiting Forgiveness” does a great job of honestly wrestling with the hardest questions around forgiveness.
Read More(REVIEW) Presented as an offbeat rom-com, “Between the Temples” contains a depth of feeling and personal reflection that’s admirable. It’s a must-see for many reasons, and only one of them is its central romance. It’s also a hilarious misadventure, a reflection on life and relationships and the beautiful journey two people take to rediscovering faith.
Read More(REVIEW) The “Beetlejuice” sequel shows that Tim Burton continues to present religious themes, such as when Beetlejuice makes the sign of the cross and immediately catches on fire. Also, the movie expands the afterlife and shows how there are places beyond the waiting room and hallways we were shown in the first movie.
Read More(ANALYSIS) Audience members may walk away from the first two movies in the “X” trilogy believing they’re meant to have picked up on a meaning. Maybe something about purity culture, womanhood or aging; maybe a warning about the perils of chasing stardom. But even the intended message is unclear.
Read More(REVIEW) “The Front Room” tries to say something important about faith, but its social commentary is too silly to take seriously and the thrills aren’t good enough to be silly fun. In a post-Christian society, it’s inevitable that movies will increasingly find creative ways to reflect and wrestle with this religious change. Hopefully, more of them will do so in a more intelligent (or at least entertaining) way than “The Front Room.”
Read More(REVIEW) While “The Forge” deserves credit for wanting to address the real problems of struggling men and boys, it fails to speak to the very people it says it wants to help. Christian parents of such boys would be better off passing on this movie and following other sources for their boys, and following the example of the movie’s Cynthia by praying for them instead.
Read More(REVIEW) Cryptocurrency is a really fascinating topic worth talking about. It’s gratifying to see it being talked about in the context of faith. If the documentary had only trusted the audience more to inform them rather than advertise to them, it would have added something even more valuable to the conversation.
Read More(REVIEW) What “white savior” and “white guilt” movies both do is create a fantasy about Christian history that makes us comfortable. In reality, Western Christian history is far more complicated. Filmmakers like Tamahori simply replace one fantasy with another. And, ironically, miss out on a much better movie. “The Convert” has enjoyable pacing and individual performances, but its shallow treatment of its well-worn cliches will make few believers.
Read More(REVIEW) “Sing Sing” — the latest film from celebrated independent film studio A24 — tells the story of Divine G, imprisoned at a maximum security prison (Sing Sing) for a crime he didn't commit. He finds purpose by acting in a theater group alongside other incarcerated men. The film is based on the book, “The Sing Sing Follies,” which tells the true story of Divine G and the theater program he founded while incarcerated.
Read MoreThe movie follows FBI agent Harper Lee who uncovers a series of occult clues that she must solve to catch a serial killer, played by Nicholas Cage). On her way, she discovers her own connection to the serial killer which forces her to confront her own past to hopefully take him down. The film, directed by Oz Perkins and released by Neon, offers up intrigue — but ultimately goes out of its way to glorify evil.
Read More(REVIEW) “The Exorcism” is a beautifully shot and smartly conceived meta-take on the exorcism genre. Unfortunately, instead of developing or paying off its ideas, it abandons them in favor of an unreflective string of the very cliches it spent the rest of the movie deconstructing. Russell Crowe stars as Anthony Miller, a washed-up actor out of rehab trying to reconnect with his troubled daughter.
Read More(REVIEW) It seems like everyone is making a Jesus movie these days. “The Chosen”, the multi-season TV series about the life of Jesus, is in its fourth season. Mel Gibson is still working on his “Passion” sequel. Oscar Isaac is playing Jesus in an upcoming animated movie. Within that lineup, one of the most innovative portrayals is a humble film made by a non-profit that depicts Jesus doing his ministry entirely through sign language.
Read More(REVIEW) “Sound of Hope” highlights an important issue and improves on many of the problems in the typical faith-based film industry. But the problems it does retain from the genre heavily weakens what could have been a truly wonderful theatrical experience. For those of us who’ve been waiting on faith-based films to match their secular counterparts for a long time, “Sound of Freedom” definitely gives us something to hope for.
Read More(REVIEW) “Wildcat” is the perfect film for any Christian who loves or is involved in the arts and wishes to see their experiences deftly portrayed in the unique language of film. This movie gives hope that the actual inner lives and beliefs of believers can live up to their potential within this medium and provide at least one model of how to do so.
Read More(REVIEW) “Unsung Hero” is a testament to how the Erwin brothers have truly made a studio that can replicate the quality they’ve been able to establish in the faith-based film industry without them in the director’s chair. For those who love the kinds of films they make, this film should be another hit. For those who don’t, there’s nothing in here to change your mind.
Read More(REVIEW) This movie feels like a throwback to how faith-based film’s used to be. The cinematography, music and editing are frustratingly substandard in a world where Kingdom Storybook Company has shown that care can be taken with those elements in a Christian film. Ultimately, I have hope that Great American Pure Flix will grow in the quality of its content.
Read More(REVIEW) The average religious viewer will likely also find little offensively objectionable in the portrayal of the Biblical story. They take the story, with its miracles and supernatural elements, as if they all really happened. The flaws in Moses’s character are all ones that come from the Biblical accounts.
Read More(REVIEW) There’s enough of the classic action formula and faith-based reverence in “Monkey Man” that fans of those things will find a lot to enjoy on their visit to the unique world that Dev Patel, making his directorial debut, has created. But the weaknesses are frustrating enough (and pervasive) that it’s likely they will also be glad when the visit is finally over.
Read More(REVIEW) For the past five weekends, the horror movie “Exhuma” has topped box offices in South Korea, its country of origin. This movie, which recently opened in America, is a harrowing must-see. It brings to mind “The Wailing,” a South Korean horror movie from 2016. Both movies wrestle with identity and religion in a variety of ways that also includes a dislike of Japan, a former colonizer, and what it means to be pro-Korean.
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