(ANALYSIS) “The Exorcist” may be the most famous exorcism film ever made. But “The Conjuring” is easily the most successful exorcism franchise. Starting with “The Conjuring” in 2013, the franchise follows Ed and Lorainne Warren (played by Patrick Wilson and Vera Farmiga, respectively) as they, with the blessing of the Catholic Church, help families who claim to be haunted by demons.
Read MoreThe late Warren Wiersbe, a prolific author of more than 170 books, never seemed keen on writing with his grandson Dan Jacobsen. Following Wiersbe’s death in May 2019, the family discovered a dusty manila file folder among the thousands of files Wiersbe left behind. In it was a manuscript, 80 percent complete, perhaps begun in 2012 when Wiersbe was in his early 80s.
Read More(ANALYSIS) Decades later, it’s hard to remember how much “Chariots of Fire” shocked the Hollywood establishment, with soaring box-office totals and four wins at the 1982 Oscars — including a Best Picture win for producer David Puttnam. The film’s focus on two legendary runners — one Christian and the other Jewish — also pleased believers who rarely applaud how faith is handled on screen.
Read MoreWitchcraft, a term loaded with fear and kitsch, dredges up images of pointy hats and bubbling cauldrons. But for an increasing number of people today, witchcraft is not just a spooky movie or costume. For some, it’s a religion, a community, a spiritual journey and a daily practice.
Read MoreAlong the Hudson River, about an hour north of New York, is a church perched atop a hill in a village called Sleepy Hollow. When Washington Irving immortalized the Old Dutch Church with its Headless Horseman in “The Legend of Sleepy Hollow,” it became a literary mainstay. For 300 years, the ghost who haunts the churchyard has frightened people. These days, a new force distresses the locals.
Read More(ANALYSIS) As early as 1856, experts gleefully noted that one could create images of ghosts “for the purpose of amusement.” Commercial photographers began producing this spectacular phenomenon for fun and profit and – as I have found while researching early portrait photography – thereby helped feed media fascination with all things ghostly.
Read MoreWhile many Jews don’t celebrate Halloween, that doesn’t mean we don’t have our own share of spooky, scary skeletons scattered throughout our day.
Read More(REVIEW) Hellboy is an odd character with a bumpy cinematic history. Based on a comic book series, Hellboy is the son of a demon and a witch who was brought from hell into the world by Nazis. He was rescued and raised by Professor Broom of the BPRD (Bureau for Paranormal Research and Defense) who became his surrogate father and trained to help save the world from monsters.
Read More(REVIEW) Unlike exorcism movies, which have largely gone unchanged since the 1973 film ‘The Exorcist,” vampire films have gone through interesting cycles of evolution. While vampires originally were portrayed as evil, alien creatures, franchises such as “Twilight” and “The Vampire Diaries” showed them as hot antiheroes and even — at times — as wholesome and misunderstood.
Read More(REVIEW) The “Beetlejuice” sequel shows that Tim Burton continues to present religious themes, such as when Beetlejuice makes the sign of the cross and immediately catches on fire. Also, the movie expands the afterlife and shows how there are places beyond the waiting room and hallways we were shown in the first movie.
Read More(ANALYSIS) Audience members may walk away from the first two movies in the “X” trilogy believing they’re meant to have picked up on a meaning. Maybe something about purity culture, womanhood or aging; maybe a warning about the perils of chasing stardom. But even the intended message is unclear.
Read More(ANALYSIS) Exorcism movies are making a comeback — and the reasons are more interesting than you might think. The likely reasons actually say a lot about the present and the future of religion in America and its intersection with the future of mass media. Here's a deeper look at why Hollywood is going all in on the genre.
Read More(OPINION) William Peter Blatty was pounding out the first pages of "The Exorcist" when his telephone rang — bringing the news that his mother had died. The screenwriter was already digging into dark material by writing a fictional take on an exorcism case he heard discussed during his Georgetown University days.
Read MoreLa Catrina is a ubiquitous character associated with Day of the Dead, known in Spanish as Día de los Muertos, both in Mexico and around the world. Additionally, it has also become an icon of Mexican identity throughout the world.
Read More(REVIEW) “Five Nights at Freddy’s” is a storytelling mess, but profoundly illustrates the heart of modern fears around AI that Hollywood is presently exploring. The movie is based on the video game franchise of the same name and centers on Mike, who agrees to work a shady job as a security guard on the night shift.
Read MoreWhat should a New Yorker do should they come across a ghost? In other words, who you gonna call? The answer is Scott Orlansky, the lead investigator of Ghost Bros.: Paranormal Research Team, that’s who! Ghost Bros. is based in the the Big Apple and is run by Orlansky and his brother Justin.
Read MoreThe annual celebration of Halloween is marked by fun and frightening traditions, those that involve monsters being the most fun and frightening of them all. These representations of evil are inextricably linked with religion, used to condemn evil, find comfort in suffering and much more.
Read More(ANALYSIS) “The Exorcist” is not a film about a successful exorcism, but about what we do in the face of uncertainty and the cynical grinning face of the demon doubt. It is not a film about a priest, but about a human being.
Read More(REVIEW) The power of the original “The Exorcist” film was that it helped restore people to faith in an authentic way that existed before them and would exist long after they’re gone. Instead, “The Exorcist: Believer” tries to rewrite faith to fit modern sensibilities. In the end, it only makes itself a hollow thing that will be forgotten sooner rather than later.
Read More(REVIEW) “A Haunting In Venice” is fun for people who like whodunnits and Kenneth Branagh’s interpretation of Hercule Poirot — but it can’t pay off the themes of faith versus reason that it sets up. The film once again features Branagh’s return as both director and star in his third outing of movies based on Agatha Christie’s novels. The movies have had lukewarm reception from both critics and audiences, but have made enough money and been enjoyable enough for Branagh to make another one.
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