(ANALYSIS) These so-called “Jesus glow-up” posts, and their influencer authors, communicate a message that a relationship with Christ provides a “blessing of heightened physical beauty.”
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(ANALYSIS) More recently, a 2021 study from the University of Southern California’s Annenberg Inclusion Initiative looked at 200 popular movies and found that Muslim characters were either completely missing or shown as violent. Despite the consistency of negative representations of Muslims on television following the rise in Islamophobia, the post-9/11 climate actually saw the introduction of more diverse Muslim characters.
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(REVIEW) “Triumph of the Heart” is a rare movie that leans into the parts of the Christian walk we often like to talk about but not experience. In doing so, it shows us the beauty of standing up against evil. If one can take the constant drumbeat of pain and look past some of its repetitiveness and hagiographical weaknesses, one will be rewarded by having one’s heart drawn closer to God.
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(ANALYSIS) Emma Stone and Javier Bardem think that, by pledging to boycott Israel’s film industry, they’re helping Palestinians. Instead, they’re actually helping a man they likely despise: Israeli Prime Minister Benjamin Netanyahu.
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Apple TV’s sci-fi drama “Severance” was the most-nominated show at this year’s Emmys — and for good reason. The series boasts a chillingly unique premise: Workers at mega-corporation Lumon have the opportunity to undergo surgery which renders them into two, an “innie” who works from nine to five and an “outie” who lives a regular life outside of work — all to manufacture a twisted work-life balance and preserve confidentiality around work.
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(ANALYSIS) “The Exorcist” may be the most famous exorcism film ever made. But “The Conjuring” is easily the most successful exorcism franchise. Starting with “The Conjuring” in 2013, the franchise follows Ed and Lorainne Warren (played by Patrick Wilson and Vera Farmiga, respectively) as they, with the blessing of the Catholic Church, help families who claim to be haunted by demons.
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(ANALYSIS) Darren Aronofsky’s most formative encounter with Haredi Jews may have come when he was an 18-year-old in Israel at the Kotel. It was there at the wall, he told film journalist Andrea Chase, he met a group of Hasidim who introduced him to the Jewish mysticism he’d go on to use to award-winning effect in his debut feature, “Pi.”
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(REVIEW) “Guns & Moses” is a rare film that succeeds both as compelling entertainment and as a surprisingly thoughtful exploration of faith. It’s a model that shows how believers can examine all aspects of life through their faith and art — including those they'd prefer to keep in a concealed carry. The film expertly tells a story that is emotionally satisfying from a faith standpoint.
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(ANALYSIS) “Murderbot” has options, but only a few. Kill all the stupid humans and flee, which likely means another SecUnit would stop him and then the company would melt him down as scrap. Or play along, pretending to do the job you’ve always done but hope no one notices when you’re not all there because — you’re bingeing thousands of hours of “content” — human/bot/AI entertainment.
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(REVIEW) At times, it feels like there are two different “Light of the World” movies vying for dominance onscreen. One is a cringe Sunday school lesson with forced try-hard laughs and mini-sermons sprinkled throughout. The other is a beautifully animated character drama that shares the beauty of Jesus through relatable characters and moving imagery with genuine laugh-out-loud moments.
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(ANALYSIS) It’s hard to take Jell-O salad to the after-church brunch a few hours after your husband of 33 years runs off with a younger woman. But the old-fashioned church Leanne Morgan attends in her summer Netflix sitcom does have a Philippians 4:13 poster in the fellowship hall proclaiming: “I can do all things through Him who gives me strength.”
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(REVIEW) What’s most interesting about “The Sandman” is not the Netflix show itself — but what it says about religion and spirituality. The show has plenty to say about death and faith in ways that fit exactly in with many trends of our modern day. In this way, “The Sandman” is itself a time capsule of modern-day dreams about our life and how the world works.
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(REVIEW) “The Blind” deserves credit for making a Christian-friendly film that doesn’t downplay the darkness of life. If it had only been able to overcome some of the other tropes that plague the genre, the results could have been truly special. Even so, for fans of the Robertson family or those who want a classic Christian redemption story, this story about a duck-hunting clan mostly hits its target.
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(REVIEW) With no meaningful character arc and no coherent theme, “Honey Don’t!” leaves viewers adrift. It’s a detective story with no one to root for and nothing to say. Instead of delivering clarity in a chaotic world, it adds to the noise. In the words of Macbeth — adapted by Ethan Coen’s brother Joel in “The Tragedy of Macbeth” — the film is “full of sound and fury, signifying nothing.”
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(REVIEW) “East of Wall” is a heartwarming and raw story about overcoming hardship and helping others. Unfortunately, its unusual style both helps and hinders our ability to connect with the people and experiences at the center of the drama. The film follows Tabatha, a rebellious horse trainer, who, after her husband’s death, wrestles with unresolved grief while providing refuge for a group of teens.
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(OPINION) Back in 2023, I wrote that I was “both frustrated and mesmerized” by the first season of this docuseries. “Shiny Happy People: Duggar Family Secrets” was a behind-the-scenes story of Jim Bob and Michelle Duggar and their children, the stars of the TLC hit television series “19 and Counting” and a number of spin-offs.
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(ANALYSIS) This summer’s “Superman” is more than just another superhero movie. James Gunn's latest, starring David Corenswet, offers something different: A return to the character's core — not just as a cultural icon, but as a figure imbued with spiritual and moral gravity. Because Superman has always been religious. Maybe not explicitly, but unmistakably.
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(ANALYSIS) Two recent announcements about two upcoming faith-based releases that could be game-changers for the industry: Angel Studios and The Wonder Project’s “Young Washington” and Mel Gibson’s “The Resurrection of the Christ.” While the announcements have mostly gone under the radar, they have the potential to upend the Hollywood landscape as we know it for a long time to come.
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Channeling the rage on the Bluesky social-media platform, Sunny Hostin at “The View” claimed that the decision by CBS executives to cancel Stephen Colbert's “Late Show” could be the start of dangerous people "dismantling of our Constitution.” This raised questions for me, several of which were discussed during this week’s “Crossroads” podcast. For starters, who — other than President Donald Trump & Co. — were these dangerous people? Did this include millions of Americans who used to watch late-night TV and are now watching whatever they choose to watch on YouTube?
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(REVIEW) “The Fantastic Four: First Steps” continues the Marvel trend of having a strained relationship with God that reflects trends within our culture. And while this new version of the Fantastic Four is more optimistic in many ways, its view of God is increasingly terrifying. Marvel has long had a complicated relationship with God. While they mostly ignore Him, the movies have, over time, featured and discussed the Almighty more and more.
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