(REVIEW) The faith-based film industry is shifting from family-friendly dramas toward male-focused, patriotic stories for conservative Christian audiences. “Young Washington” reflects that evolution with strong action, but ultimately weakens its emotional impact by oversimplifying George Washington’s ambition and spiritual transformation, limiting its cultural and thematic potential.
Read More(ANALYSIS) In honor of America’s 250th anniversary, faith-based filmmakers have pushed out multiple patriotic and history-themed films. This summer has seen a mix of historical dramas, war epics and documentaries — all of which are widely available for Christians (and non-Christians) to watch this Fourth of July weekend.
Read More(REVIEW) To understand post-Christian Western culture, watch “Hazbin Hotel.” As America continues to secularize and divide along religious and political lines, our culture is rewriting how we think about human nature and redemption. With its second season, the series encapsulates our evolving post-Christian imagination — and the ways we’re worse off for it.
Read More(REVIEW) “Just One More” has its heart in the right place. But it is held back by a preachy Christian filmmaking culture that leans on telling, not showing.
Read More(REVIEW) Steven Spielberg’s latest film “Disclosure Day” asks how people of faith would deal with finding out aliens are real. Sadly, one gets the distinct impression that Spielberg didn’t talk to any religious people when deciding his answer. Spielberg is responsible for some of the most iconic movies about aliens and faith ever made.
Read More(ANALYSIS) The Kane Parsons film “Backrooms” has captivated audiences since it hit theaters in May. The movie — a horror film about liminal spaces based on internet mythology — also taps into a series of religious ideas that have existed for centuries, particularly concepts such as purgatory, limbo and salvation.
Read MoreTo understand what it’s like to be a Christian while approaching death, Culture Critic Joseph Holmes spoke with actor and writer Victoria Jackson. Jackson suffers from terminal breast cancer, and, with the knowledge that her life is going to end, she recently wrote “Not Dead Yet,” which tells the story of her life, her faith and how she is dealing with dying.
Read MoreOne of America’s greatest and fearless investigative journalists, Amy Goodman, seeks the truth and reports it. Religion Unplugged sat down with her to discuss how her Jewish upbringing and its influences on her career and reporting.
Read MoreFor-profit Christian multimedia company Salem Media Group may soon become the property of a 501(c)(3). The Texas-based broadcaster — which owns the Salem Radio Network, the Salem Web Network, Salem Publishing, and conservative news websites RedState and Townhall — announced in a May press release that its board has approved a buyout by Waterstone, a Christian donor-advised fund foundation.
Read More(REVIEW) While the show’s theological justification is surprisingly in line with the pope’s new AI principles, the execution proves that — as always — the devil is in the details.
Read MoreMilan took center stage in new film “The Devil Wears Prada 2.” The movie showcases the city’s most iconic Catholic sites, such as the Duomo, the Pinacoteca di Brera and the church courtyard and convent of Santa Maria delle Grazie, which houses Leonardo Da Vinci’s mural painting “The Last Supper.”
Read MoreA low-budget movie, cheesy horror that is literally just “The Exorcist” meets “Speed” and whose theology is as thin as a communion wafer. In theory, this can be an opportunity for an actually really fun campy horror experience. Unfortunately, it’s far more interested in stale religious deconstruction than it is in classic scares.
Read More(REVIEW) “Is God Is” follows twin sisters on a quest to kill their father, who disfigured them as children. Unfortunately, the movie does more than simply offer fictional frontier-style justice to typically underrepresented audiences. It goes so far as to renounce the virtue of forgiveness altogether.
Read More(ANALYSIS) The way Hollywood portrays faith is changing because American culture is changing. The growing divide in these portrayals reflects the same growing divide in America. Next year may be when this clash gets its biggest arena — and we will all be watching, popcorn in hand.
Read MoreJoseph Holmes speaks with the director of “Cast Aside The Clouds” about why she wanted to make a film about a Bahá'í/Muslim love story, her own journey with the Bahá’í faith, and the unity and conversations she hopes will come about as a result of its release.
Read More(REVIEW) A “Romeo and Juliet” style love story, “Cast Aside The Clouds” that protests how religious intolerance — such as the kind regularly levied against the Baháʼí people in Iran — threatens love by targeting innocent people for oppression.
Read MoreNo one who has followed trends in the powerful world of podcasting was surprised by the headlines following Alex Cooper’s announcement that, after raising eyebrows by getting married to a stud Hollywood producer, she is now happily pregnant. Consider the following background information from the buzzy New York Times story that served as the hook for this week’s “Crossroads” podcast.
Read More(ANALYSIS) While neither of the “Devil Wears Prada” movies revolve around Christianity, the invocation of the devil taps into an older moral rhetoric. For centuries, fashion was cast as the troublesome, if not villainous, enemy of a pure and spiritual Christianity — a symbol of putting material desires before holy ones. For example, 18th-century cleric and founder of Methodism John Wesley urged his followers to show their faith by dressing “plainly.”
Read More(REVIEW) Murdock is a real believing Catholic. It’s something the series takes seriously. This is particularly easy to see in the attention to detail toward Catholic teaching.
Read MoreThe Israeli thriller “Unconditional” has sparked accusations of “hasbara” before release, but the series proves more complicated than simple propaganda. Following a young Israeli woman imprisoned in Russia, the show explores national image-making, Israeli behavior abroad, and the moral gray zones surrounding identity, war, and public perception.
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