(ANALYSIS) The man who wrote “The Exorcist” knew what he was doing. The late William Peter Blatty was a witty Hollywood veteran (he wrote the Pink Panther classic “A Shot in the Dark”), as well as an articulate pro-Catechism Catholic.
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(REVIEW) The power of the original “The Exorcist” film was that it helped restore people to faith in an authentic way that existed before them and would exist long after they’re gone. Instead, “The Exorcist: Believer” tries to rewrite faith to fit modern sensibilities. In the end, it only makes itself a hollow thing that will be forgotten sooner rather than later.
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This week’s Weekend Plug-in covers the death of Irish singer Sinéad O'Connor. Plus, as always, catch up on all the best reads and top headlines in the world of faith.
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(REVIEW) The newest Netflix original, “The Devil All the Time,” takes place in a rural town where God exists but never intervenes. The cast of characters, who are haunted by or participate in evil, are therefore only able to wrestle with their own sin.
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(REVIEW) At a time when the planet is gripped by a pandemic, science and faith have again come into conflict. That nagging age-old question about good versus evil and the role of God and Satan in our lives is the focus of a new book about an Italian priest who went on to become the world’s best-known exorcist.
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(FILM REVIEW) These satanists may not constitute their own religion, but they want religious freedom laws to protect every faith equally and use the devil to push their message.
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