(ANALYSIS) The genre faces a demographic cliff. The market for faith-based films has always been driven by Christian moms. And as I wrote last year, with fewer women getting married and having kids (and single women increasingly leaving Christianity), that market is inevitably going to shrink. A big shift may actually save the long-term future of faith-based films: The rise of a more masculine American church.
Read More(ANALYSIS) Two recent events have made major headlines in the faith-based film industry. The first was the dominance of faith-based, politically right-wing films at the domestic box office. The second was Dallas Jenkins’ announcement that his “The Chosen” TV series about Jesus was expanding into a whole “The Chosen” universe of shows.
Read More(REVIEW) “Sound of Hope” highlights an important issue and improves on many of the problems in the typical faith-based film industry. But the problems it does retain from the genre heavily weakens what could have been a truly wonderful theatrical experience. For those of us who’ve been waiting on faith-based films to match their secular counterparts for a long time, “Sound of Freedom” definitely gives us something to hope for.
Read More(ANALYSIS) There is something different about how sci-fi movies deal with religion and how traditionally “faith-based” films do. And that is, quite obviously, when you think about it, that these movies treat faith like fiction and fantasy, whereas faith-based fiction treats it as fact. It’s the same as how comic books like Superman treat aliens as “real,” but no one would pretend these comics are making any claims about the existence of aliens.
Read More(REVIEW) Based on the book “Arthur: The Dog Who Crossed the Jungle to Find a Home,” the movie version follows the true-life story of the comeback of professional adventure racer Michael Light, played by Mark Wahlberg, who is trying to win his first race after a humiliating previous attempt. What results is a movie that’s wholesome and sweet, yet ultimately shallow and formulaic.
Read MoreThe Oscars were held on Sunday at the Dolby Theatre at Ovation Hollywood in Los Angeles. Jimmy Kimmel returned as host for the fourth time, joined onstage by an all-star list of presenters. Did any faith-based films win? Here’s a look at this year’s winners.
Read MoreAre faith projects such as “The Chosen” not considered for secular awards because of anti-Christian bias? While there is plenty of bias in Hollywood, the reason is a much more complicated one. Film critic Joseph Holmes delves into the issue in time for this Sunday’s Academy Awards ceremony.
Read More(ANALYSIS) This year’s Best Picture nominees at the 2024 Academy Awards showcase how our culture is wrestling with a post-Christian society, whether or not these films feature religion or not. While Hollywood has gained a reputation for being deeply secular — even anti-religious — after Oscar nominees over the past two years featured rather complex portrayals of religion.
Read More(REVIEW) “Ordinary Angels” is a welcome sign of how the baseline modern faith-based films have come a long way since their beginnings 20 years ago. Those who enjoy the formula will be happy at how the quality has increased and will get everything they’re looking for. Those who wish the industry would grow beyond that need to keep wishing – but will find the ride more enjoyable than 20 years ago.
Read More(ANALYSIS) As long as they’ve been around, so-called “faith-based films” have been mired in controversy. Whether it’s accusations of bad writing and acting, heavy-handed messages or the demonizing of non-Christians, such movies always seem to be a lightning rod of passionate disagreement.
Read More(ANALYSIS) Can the faith-based film industry shift from appealing to married women to single women? It’s highly doubtful. It would require a huge shift in talent and genre that I don’t see evidence for. Certainly, the happily-married, evangelical men who now run the faith-based film industry would be unlikely to do it.
Read More(ANALYSIS) Often panned both by secular and Christian film critics, faith-based films have been criticized for many things, whether it’s for the writing, acting or for perceived problematic messages. And yet, with all of the criticism, much of it valid (including much of it by me), it can get lost what good things there are in what we call “faith-based films” — movies made by people of faith for people of faith — that cause them to resonate so strongly with so many people.
Read More(REVIEW) The movie is a fictionalized adaptation of the memoir of Carolyn Webber by the same name. It follows brilliant, but emotionally guarded, Caro Drake as she arrives in Oxford with the singular goal of attaining her PhD. Through a turbulent friendship with a charming young man, she begins to open herself up to love and God.
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