(ANALYSIS) “The Exorcist” is not a film about a successful exorcism, but about what we do in the face of uncertainty and the cynical grinning face of the demon doubt. It is not a film about a priest, but about a human being.
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(REVIEW) At a time when the planet is gripped by a pandemic, science and faith have again come into conflict. That nagging age-old question about good versus evil and the role of God and Satan in our lives is the focus of a new book about an Italian priest who went on to become the world’s best-known exorcist.
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