(REVIEW) In 1954, the Oscar-winning composer Erich Wolfgang Korngold staged a European homecoming with a new operetta. How this came to pass — and how his planned comeback failed to materialize — is even more convoluted than the piece’s farcical plot. Korngold, a Jewish refugee from Vienna, first came to Hollywood to adapt Felix Mendelssohn’s music for Max Reinhardt’s 1935 film of “A Midsummer Night’s Dream.”
Read More(REVIEW) “The Exorcist” has always stuck out to me as a movie because of its universality, its appeal to both the religious and secular. “Exorcistic” is a byproduct of the movie’s lasting influence in media that certainly leaves a wild impression of its own. It’s worth seeing if you want something to put you into the Halloween spirit.
Read MoreThe stage version of “The Prince of Egypt” is a rousing triumph of both faith and stagecraft. It is one of the most satisfying viewing experiences of the year and a stunning reminder of what can be accomplished when faith and art are put together well.
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