Faith-based films are more prevalent than ever. Whether that’s the growing number of Christians entering the faith-based industry or the larger number of Hollywood filmmakers dealing explicitly with religious issues in their films, it's easier than ever to find films that affirm and celebrate religious worldviews with truth and beauty. Check out which movies were best in 2023.
Read More(REVIEW) “Rebel Moon” reminds us that religion is not just a trope in a sci-fi film, it’s baked into its DNA as a way of re-enchanting us to an often dead-feeling universe. The film, in theaters now, will be available on Netflix starting this Friday.
Read More(REVIEW) “Freud’s Last Session” wastes its fantastic premise of pitting C.S. Lewis against Sigmund Freud with boring execution — and a bafflingly underwhelming portrayal that fits an odd pattern by people who often negatively characterize the famed Christian author.
Read More(REVIEW) “The Mission” is a courageous and well-meaning attempt to wrestle with an important topic, held back by “not knowing what they don’t know” about their own biases much like some of the missionaries in ages past. Hopefully, the filmmakers and audience will use this film as a conversation starter rather than an ender. If they do, the world will be better for it.
Read More(REVIEW) The Church of Jesus Christ of Latter-day Saints (a group known as Mormons) has its own, often overlooked, film industry within the subculture of Christian Films. While evangelicals and Catholics have produced such movies as “Fireproof,” “I Can Only Imagine” and “God’s Not Dead,” Mormons have “The Best Two Years” and “The Other Side of Heaven.”
Read MoreThe stage version of “The Prince of Egypt” is a rousing triumph of both faith and stagecraft. It is one of the most satisfying viewing experiences of the year and a stunning reminder of what can be accomplished when faith and art are put together well.
Read More(ANALYSIS) There are lots of theories as to why the Christmas classic died. Perhaps it simply takes time to become a Christmas classic with culture-wide acceptance. And yet, that wasn’t true of the Christmas movies that came out in the 1990s and early 2000s. Perhaps streaming is to blame, where movies would become classics had they come out in theaters.
Read More(REVIEW) “Napoleon,” the latest historical war epic by the legendary Ridley Scott stars Joaquin Phoenix as the legendary French emperor and Vanessa Kirby as his wife Josephine. The movie details the the historic rise and fall of his empire and marriage. The film has opened to mixed reviews, but an unexpectedly impressive box office over the Thanksgiving weekend.
Read More(REVIEW) Christians have always had a love-hate relationship with Disney since I can remember. Growing up in the Christian culture of the 1990s and early 2000s, all the Christian parents I knew loved watching Disney movies with their kids — but have always had an uncomfortable relationship with some of its messaging.
Read More(REVIEW) There’s a picture-perfect version of Thanksgiving that exists in cartoons of overflowing cornucopias and naively cheerful turkeys. It’s meant to celebrate a bountiful harvest, a good meal and time together with loved ones. The real Thanksgiving is a lot more complicated — and unpleasant. A new movie out now captures just that.
Read More(ANALYSIS) Among the many spooky events happening last month was the biannual “Haunting of Impalas” at Family Business Brewing, a 15-acre brewery in Dripping Springs, Texas, owned by actor and musician Jensen Ackles. Along with Jared Padalecki, Ackles is the star of “Supernatural,” a television series that ran from 2005 to 2020.
Read More(REVIEW) While “The Shift” takes exciting steps in reviving the faith-based science-fiction genre, it never develops its ideas well enough to rise to the level of its own concepts.
Read More(ANALYSIS) Marvel continues its trend of wrestling with the goodness of God — but now has started to tilt toward believing that the Almighty may be good after all. Why the change and what led them to this newfound realization is rooted in both faith and power.
Read More(REVIEW) “Journey To Bethlehem” is a musical heavy on cheesy jokes, but lacks the heart that we expect from a family Christmas movie, including the sacredness we expect from a film about Jesus. Of course, this movie is not without controversy.
Read More(OPINION) Jesus instructs us to be meek and gentle the way our authority figures have always instilled in us, following Jesus can feel like giving into more social conformity. Jesus, it seems, does not seem to be either able or willing to protect us when we need it or to give us a model for how to protect ourselves and those we love.
Read More(OPINION) There’s good reason to believe that at least part of the decline in rom-coms comes from the fact that a large part of the audience just doesn’t believe in romance anymore. Fewer and fewer people are getting married and increasingly people are disillusioned with dating. And this is bleeding its way into people’s viewing preferences.
Read More(REVIEW) “The Persian Version,” by falling into all the familiar cliches around non-White, non-Christian immigrant families, reminds us how Western secular pluralism is not a neutral space for worldviews — but an exclusive worldview in its own right.
Read More(REVIEW) While “A Wonderful Day with Mabel Maclay” doesn’t reach the heights of children’s programs such as “Mister Rogers' Neighborhood” or “Sesame Street,” it is wholesome family entertainment for parents who want alternatives to what’s being offered by Disney or Netflix.
Read More(REVIEW) “Five Nights at Freddy’s” is a storytelling mess, but profoundly illustrates the heart of modern fears around AI that Hollywood is presently exploring. The movie is based on the video game franchise of the same name and centers on Mike, who agrees to work a shady job as a security guard on the night shift.
Read More(ANALYSIS) “The Exorcist” is not a film about a successful exorcism, but about what we do in the face of uncertainty and the cynical grinning face of the demon doubt. It is not a film about a priest, but about a human being.
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