Posts tagged Randall E. King
TV Series ‘Silo’ Is More Than Dystopia, But A Theology Of The Human Spirit

(REVIEW) “Silo” skillfully weaves all of these dystopian tropes into the background of something quite new. The hints were there from the show’s start. The series skillfully weaves all of these dystopian tropes into the background of something quite new. The hints were there in the opening titles we streamers learn to skip. The closing shot is an animation of the show’s citizens going up and down and up and down the endless steps. 

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Hulu’s ‘Chad Powers’ Fumbles In Its Storytelling, Subbing In Crude For Clever

(REVIEW) Throughout the show “Chad Powers,” the f-bombs burst through the air more than footballs — and not just from Russ, but the coaches, women and the extras. The only one not dropping them in this faux football world was the “Christian” backup quarterback who was, of course, a sincere idiot.

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Not Just Another ‘Murderbot’: How A Screen-Obsessed SecUnit Found Its Moral Core

(ANALYSIS) “Murderbot” has options, but only a few. Kill all the stupid humans and flee, which likely means another SecUnit would stop him and then the company would melt him down as scrap. Or play along, pretending to do the job you’ve always done but hope no one notices when you’re not all there because — you’re bingeing thousands of hours of “content” — human/bot/AI entertainment.

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What My Screen Time Exposed About Our Spiritual Crisis

(ANALYSIS) I am not saying all media technologies, companies or content are necessarily tools of Satan. I am saying their overwhelming domination of our attention distracts us from deeper work – on our families, our communities and ourselves and this spiritual adversary can use those distractions for his own, deceptive purposes.

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The Last Supper Vs. Feast Of Dionysus: What We Actually Witnessed At The Olympics

(ANALYSIS) The shot shared ‘round the world following the Olympics Opening Ceremonies was actually a brief matter of seconds in a four-hour live presentation. Whether it was — in fact — a shot at Christ and his followers using Leonardo da Vinci's iconography or just a misunderstood tableau for the feast of Dionysus, as the show producers claim, the moment is better understood in motion, as video shows better than stills.

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