(REVIEW) “A Haunting In Venice” is fun for people who like whodunnits and Kenneth Branagh’s interpretation of Hercule Poirot — but it can’t pay off the themes of faith versus reason that it sets up. The film once again features Branagh’s return as both director and star in his third outing of movies based on Agatha Christie’s novels. The movies have had lukewarm reception from both critics and audiences, but have made enough money and been enjoyable enough for Branagh to make another one. 

Read More