Conservative And Christian Movies Are Coming For Hollywood
(ANALYSIS) A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of “Confession,” playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on “The West Wing.”
“Confession,” written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led “Run, Fight, Hide: Infidels” earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series “The Chosen” in movie theaters across the country, produced the right-wing hit “The Sound of Freedom” and is pumping out faith-based movies like the animated “King of Kings” Christmas story and “David,” a kiddie movie about the biblical king.
Recently, Pinnacle Peak Pictures, another faith-based production company, premiered “Daniel and the Fiery Furnace,” another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one).
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media). Even when conservatives are in power, satirical movies have poked fun at the ruling class — “Team America: World Police” spoofed George W. Bush’s foreign policy, while “M*A*S*H” critiqued Richard Nixon. During the current Trump administration, we’ve seen “One Battle After Another” lambasting immigration policies and rising white nationalism, “Eddington” on misinformation and populism, and “The Apprentice” depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. “Lady Ballers,” about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like “Daniel and the Fiery Furnace,” can still fall victim to wooden acting and writing.
But now, with the financial success of movies like “The Sound of Freedom” and biblical parables like “The Chosen,” bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with “The House of David,” and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s “The Ten Commandments” was the biggest movie in town.
This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.
Mira Fox is a reporter and critic at the Forward covering religion, culture and the internet, including stories on Christian nationalism, online extremist subcultures and, of course, TV and movies of all kinds.