A Nordic’s Journey to Understand 2022 Christianity in America
Part 3:
Atheists Must Have a Hard Time Here
Alvin Slaughter is the soloist on the new single “For My Good” from The Brooklyn Tabernacle Choir. Photo: The Brooklyn Tabernacle Choir.
This is the third in a five-part series about a Norwegian’s perspective on the changing dynamics of Christianity in America. Read Part Two here and Part Four here.
BROOKLYN, N.Y. — On the first Sunday in September, I had an interview appointment with one of the pastors at The Brooklyn Tabernacle in New York. It was before the first of the two early services in the church sound. It starts at 9 a.m. I had to get up early to catch the subway from Manhattan in time.
In any case, you should be out early if you want to get a good seat in the old theater where the church holds services. Jim Cymbala, 80, has been head pastor since 1971 and is still characterized by his evangelical fervor. The sermon was based on the story of Joseph in the Old Testament and ended with an invitation to repentance and intercession. With a seat in the first row, I could see that it was crowded at the podium.
Passed away
On the journey through the history of the church’s gospel music, his wife Carol Cymbala has also played a central role. She has led the work with The Brooklyn Tabernacle Choir, which has performed in famous venues like the White House. This Sunday the choir came with both joy and sorrow.
A new record was on the way — but the long-standing soloist Cynthia Greene had died the same week. One of the soloists on the new record was her brother, Alvin Slaughter.
Joy and zest for life
As a music enthusiast and hobby guitarist, I appreciate many types of music, including in the Christian variety: from Bach and hymns to pop and jazz. Black gospel is not what I listen to the most at home, but the times I have had the opportunity to experience it live, there is little that surpasses this.
The choir in The Brooklyn Tabernacle is quite ethnically diverse, but much of the music is characterized by African American gospel. When Alvin Slaughter came bouncing onto the stage, it was almost impossible to miss the joy and zest for life he radiated. The splendor of her voice was as awe-filling as it can only be in a seasoned Black gospel singer.
“When the bottom falls out, even then I will praise Him. When I can’t figure it out, even then I will praise Him. I know God is working for my good.”
The excitement did not come easily. How could it be? There was joy in sorrow, and there was hope in the face of death. An atheist would have a bit of a hard time here, I think. For me it was inadvisable to stop my feet from stomping to the beat. At the same time, it was difficult to hold back the tears. It still is, when I think of that morning in The Brooklyn Tabernacle.
Tore Hjalmar Sævik is a Norwegian journalist who works for the Norwegian newspaper, Dagen. Sævik spent some time in the U.S in September to write a series of articles. This article is translated by ReligionUnplugged.com intern Natalie Hognestad and was published with Sævik’s permission.
This article is funded by the Fritt Ord Foundation, a Norwegian private nonprofit foundation that aspires to promote freedom of expression, public debate, art and culture.
Read Part Four here.